Triple
T20103001
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Discussion Island/Big Conference Centre |
E496592
|
entity |
| Predicate | relatedWork |
P37
|
FINISHED |
| Object | Liam Gillick’s discussion platforms |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Liam Gillick’s discussion platforms | Statement: [Discussion Island/Big Conference Centre, relatedWork, Liam Gillick’s discussion platforms]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Liam Gillick’s discussion platforms Context triple: [Discussion Island/Big Conference Centre, relatedWork, Liam Gillick’s discussion platforms]
-
A.
Tino Sehgal’s constructed situations
Tino Sehgal’s constructed situations are choreographed, immaterial art encounters in which live participants enact scripted interactions that foreground social relations and viewer experience over physical objects.
-
B.
Art and technology – a new unity
"Art and technology – a new unity" is the famous guiding slogan of the Bauhaus movement, expressing its aim to integrate artistic creativity with modern industrial production.
-
C.
Notes Toward a Performative Theory of Assembly
Notes Toward a Performative Theory of Assembly is a philosophical work by Judith Butler that explores how public gatherings and collective bodies enact political claims and rights through performative assembly.
-
D.
The Meaning of Art
The Meaning of Art is a seminal 1931 book by British art critic Herbert Read that explores the nature, purpose, and evolution of art across cultures and history.
-
E.
The Collectors at the Venice Biennale
The Collectors at the Venice Biennale is a conceptual, narrative-driven exhibition by artist duo Elmgreen & Dragset that transformed national pavilions into fictional domestic settings to explore themes of identity, desire, and the art market.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Liam Gillick’s discussion platforms Target entity description: Liam Gillick’s discussion platforms are conceptual and often architectural structures designed to facilitate dialogue, critical reflection, and participatory engagement within contemporary art contexts.
-
A.
Tino Sehgal’s constructed situations
Tino Sehgal’s constructed situations are choreographed, immaterial art encounters in which live participants enact scripted interactions that foreground social relations and viewer experience over physical objects.
-
B.
Art and technology – a new unity
"Art and technology – a new unity" is the famous guiding slogan of the Bauhaus movement, expressing its aim to integrate artistic creativity with modern industrial production.
-
C.
Notes Toward a Performative Theory of Assembly
Notes Toward a Performative Theory of Assembly is a philosophical work by Judith Butler that explores how public gatherings and collective bodies enact political claims and rights through performative assembly.
-
D.
The Meaning of Art
The Meaning of Art is a seminal 1931 book by British art critic Herbert Read that explores the nature, purpose, and evolution of art across cultures and history.
-
E.
The Collectors at the Venice Biennale
The Collectors at the Venice Biennale is a conceptual, narrative-driven exhibition by artist duo Elmgreen & Dragset that transformed national pavilions into fictional domestic settings to explore themes of identity, desire, and the art market.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69da626eee3881909f3454986d4a6511 |
completed | April 11, 2026, 3:02 p.m. |
| NER | Named-entity recognition | batch_69e6667170a4819085d07a4188ded541 |
completed | April 20, 2026, 5:46 p.m. |
Created at: April 11, 2026, 11:27 p.m.