Triple
T19946421
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Drawing Restraint series |
E479433
|
entity |
| Predicate | hasPart |
P35
|
FINISHED |
| Object | Drawing Restraint 4 |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Drawing Restraint 4 | Statement: [Drawing Restraint series, hasPart, Drawing Restraint 4]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 4 Context triple: [Drawing Restraint series, hasPart, Drawing Restraint 4]
-
A.
Drawing Restraint 9
Drawing Restraint 9 is an experimental art film by Matthew Barney that blends surreal narrative, elaborate sculptural sets, and ritualistic imagery, set largely aboard a Japanese whaling vessel.
-
B.
Drawing Restraint series
The Drawing Restraint series is a multimedia art project by Matthew Barney that explores themes of transformation, constraint, and ritual through film, sculpture, and performance.
-
C.
Recovery Drawings
Recovery Drawings is a series of expressive, often abstract works on paper by Filipino-American artist Alfonso Ossorio, created during a period of personal convalescence and psychological introspection.
-
D.
The Practice and Science of Drawing
The Practice and Science of Drawing is a classic instructional art book by Harold Speed that systematically teaches traditional drawing techniques, principles, and visual perception.
-
E.
Bridgman's Complete Guide to Drawing from Life
Bridgman's Complete Guide to Drawing from Life is a classic instructional art book that teaches figure drawing through constructive anatomy, dynamic forms, and simplified geometric structures.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 4 Target entity description: Drawing Restraint 4 is an early installment in Matthew Barney’s experimental Drawing Restraint series, blending performance, sculpture, and film to explore themes of physical limitation and creative process.
-
A.
Drawing Restraint 9
Drawing Restraint 9 is an experimental art film by Matthew Barney that blends surreal narrative, elaborate sculptural sets, and ritualistic imagery, set largely aboard a Japanese whaling vessel.
-
B.
Drawing Restraint series
chosen
The Drawing Restraint series is a multimedia art project by Matthew Barney that explores themes of transformation, constraint, and ritual through film, sculpture, and performance.
-
C.
Recovery Drawings
Recovery Drawings is a series of expressive, often abstract works on paper by Filipino-American artist Alfonso Ossorio, created during a period of personal convalescence and psychological introspection.
-
D.
The Practice and Science of Drawing
The Practice and Science of Drawing is a classic instructional art book by Harold Speed that systematically teaches traditional drawing techniques, principles, and visual perception.
-
E.
Bridgman's Complete Guide to Drawing from Life
Bridgman's Complete Guide to Drawing from Life is a classic instructional art book that teaches figure drawing through constructive anatomy, dynamic forms, and simplified geometric structures.
- F. None of above.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8e522a17c819095165d4d24939fd8 |
completed | April 10, 2026, 11:55 a.m. |
| NER | Named-entity recognition | batch_69e65a6725dc81908c55ec5595be6778 |
completed | April 20, 2026, 4:55 p.m. |
Created at: April 10, 2026, 1:54 p.m.