Triple
T19580957
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Surprised by Joy |
E489983
|
entity |
| Predicate | hasAdaptation |
P1690
|
FINISHED |
| Object | Surprised by Joy (stage adaptations) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Surprised by Joy (stage adaptations) | Statement: [Surprised by Joy, hasAdaptation, Surprised by Joy (stage adaptations)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Surprised by Joy (stage adaptations) Context triple: [Surprised by Joy, hasAdaptation, Surprised by Joy (stage adaptations)]
-
A.
The Loved Ones (stage adaptation)
The Loved Ones (stage adaptation) is a theatrical version of the Australian horror story about a sadistic high-school girl’s twisted prom night, adapted for the stage and featuring Robin McLeavy in a key role.
-
B.
Bluets (stage adaptation)
Bluets (stage adaptation) is a theatrical work that reimagines Maggie Nelson’s acclaimed lyric essay for the stage, translating its meditations on love, loss, and the color blue into a live performance.
-
C.
Our Very Own (stage work)
Our Very Own is a stage play by writer Cheri Steinkellner, known for its heartfelt, character-driven storytelling.
-
D.
Man's Fate (stage adaptations)
Man's Fate (stage adaptations) refers to theatrical versions of André Malraux’s novel "La Condition humaine," dramatizing its themes of political struggle, existential crisis, and human destiny during the 1927 Shanghai uprising.
-
E.
Period of Adjustment (play)
Period of Adjustment (play) is a 1960 dark comedy by Tennessee Williams that explores the marital tensions of two couples over a single turbulent Christmas Eve.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Surprised by Joy (stage adaptations) Target entity description: Surprised by Joy (stage adaptations) refers to theatrical productions based on C. S. Lewis’s spiritual autobiography, dramatizing his journey from atheism to Christian faith.
-
A.
The Loved Ones (stage adaptation)
The Loved Ones (stage adaptation) is a theatrical version of the Australian horror story about a sadistic high-school girl’s twisted prom night, adapted for the stage and featuring Robin McLeavy in a key role.
-
B.
Bluets (stage adaptation)
Bluets (stage adaptation) is a theatrical work that reimagines Maggie Nelson’s acclaimed lyric essay for the stage, translating its meditations on love, loss, and the color blue into a live performance.
-
C.
Our Very Own (stage work)
Our Very Own is a stage play by writer Cheri Steinkellner, known for its heartfelt, character-driven storytelling.
-
D.
Man's Fate (stage adaptations)
Man's Fate (stage adaptations) refers to theatrical versions of André Malraux’s novel "La Condition humaine," dramatizing its themes of political struggle, existential crisis, and human destiny during the 1927 Shanghai uprising.
-
E.
Period of Adjustment (play)
Period of Adjustment (play) is a 1960 dark comedy by Tennessee Williams that explores the marital tensions of two couples over a single turbulent Christmas Eve.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8e8dd9374819098e36349b3211663 |
completed | April 10, 2026, 12:11 p.m. |
| NER | Named-entity recognition | batch_69e640281b7c8190be44268a58df058f |
completed | April 20, 2026, 3:03 p.m. |
Created at: April 10, 2026, 1:42 p.m.