Triple
T19184413
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Pisa Baptistery |
E469662
|
entity |
| Predicate | hasFeature |
P182
|
FINISHED |
| Object | pulpit by Nicola Pisano |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: pulpit by Nicola Pisano | Statement: [Pisa Baptistery, hasFeature, pulpit by Nicola Pisano]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: pulpit by Nicola Pisano Context triple: [Pisa Baptistery, hasFeature, pulpit by Nicola Pisano]
-
A.
Cantoria (pulpit for the Florence Cathedral)
Cantoria is a celebrated early Renaissance marble choir loft in Florence Cathedral, renowned for its dynamic reliefs of dancing and singing putti that showcase Donatello’s innovative sculptural style.
-
B.
Cimabue’s Maestà in the Upper Basilica
Cimabue’s Maestà in the Upper Basilica is a monumental late 13th-century fresco of the Madonna and Child with angels and saints, considered a key work in the transition from Byzantine to early Italian Renaissance painting.
-
C.
Crucifixion (Pisa Altarpiece)
Crucifixion (Pisa Altarpiece) is a panel painting by the early Renaissance master Masaccio, depicting the crucified Christ with a powerful sense of realism and emotional intensity.
-
D.
Polyptych of Pisa
The Polyptych of Pisa is a renowned early 15th-century altarpiece by Masaccio that exemplifies the transition from Gothic to Renaissance painting through its innovative use of perspective and naturalism.
-
E.
Palestrina Pietà (attributed to Michelangelo)
The Palestrina Pietà is a marble sculpture of the Virgin Mary mourning Christ, traditionally attributed to Michelangelo and housed in Florence’s Galleria dell’Accademia.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: pulpit by Nicola Pisano Target entity description: The pulpit by Nicola Pisano is a renowned 13th-century marble masterpiece of Gothic sculpture, celebrated for its classical influences and detailed reliefs depicting scenes from the life of Christ.
-
A.
Cantoria (pulpit for the Florence Cathedral)
Cantoria is a celebrated early Renaissance marble choir loft in Florence Cathedral, renowned for its dynamic reliefs of dancing and singing putti that showcase Donatello’s innovative sculptural style.
-
B.
Cimabue’s Maestà in the Upper Basilica
Cimabue’s Maestà in the Upper Basilica is a monumental late 13th-century fresco of the Madonna and Child with angels and saints, considered a key work in the transition from Byzantine to early Italian Renaissance painting.
-
C.
Crucifixion (Pisa Altarpiece)
Crucifixion (Pisa Altarpiece) is a panel painting by the early Renaissance master Masaccio, depicting the crucified Christ with a powerful sense of realism and emotional intensity.
-
D.
Polyptych of Pisa
The Polyptych of Pisa is a renowned early 15th-century altarpiece by Masaccio that exemplifies the transition from Gothic to Renaissance painting through its innovative use of perspective and naturalism.
-
E.
Palestrina Pietà (attributed to Michelangelo)
The Palestrina Pietà is a marble sculpture of the Virgin Mary mourning Christ, traditionally attributed to Michelangelo and housed in Florence’s Galleria dell’Accademia.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8dd0ad9088190a173b32657ae2e7a |
completed | April 10, 2026, 11:20 a.m. |
| NER | Named-entity recognition | batch_69e5f61f1d9c8190b67555383d821958 |
completed | April 20, 2026, 9:47 a.m. |
Created at: April 10, 2026, 12:07 p.m.