Triple
T18818707
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Through the Barricades |
E460203
|
entity |
| Predicate | hasLiveVersion |
P18107
|
FINISHED |
| Object | Through the Barricades (live performances) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Through the Barricades (live performances) | Statement: [Through the Barricades, hasLiveVersion, Through the Barricades (live performances)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Through the Barricades (live performances) Context triple: [Through the Barricades, hasLiveVersion, Through the Barricades (live performances)]
-
A.
The Revolution (live performances)
The Revolution (live performances) refers to Prince’s backing band as they appeared in concert, known for their tight musicianship, genre-blending sound, and dynamic stage presence during his classic 1980s era.
-
B.
Live at the El Mocambo
Live at the El Mocambo is a live concert recording by Stevie Ray Vaughan and Double Trouble, captured at Toronto’s El Mocambo club and renowned for its powerful blues-rock performances.
-
C.
Live at the Marquee
Live at the Marquee is a live album by progressive metal band Dream Theater, capturing an early 1990s performance that showcases their technical musicianship and complex compositions.
-
D.
Live at the Murat
"Live at the Murat" is a live album by progressive rock jam band Umphrey's McGee, showcasing their improvisational performances recorded at the Murat Theatre in Indianapolis.
-
E.
Live at the Palace
Live at the Palace is a posthumously released live album by Blind Melon capturing one of the band’s energetic performances during their 1990s heyday.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Through the Barricades (live performances) Target entity description: Through the Barricades (live performances) refers to concert renditions of Spandau Ballet’s ballad, typically featuring extended arrangements and live vocal and instrumental interpretations for audiences.
-
A.
The Revolution (live performances)
The Revolution (live performances) refers to Prince’s backing band as they appeared in concert, known for their tight musicianship, genre-blending sound, and dynamic stage presence during his classic 1980s era.
-
B.
Live at the El Mocambo
Live at the El Mocambo is a live concert recording by Stevie Ray Vaughan and Double Trouble, captured at Toronto’s El Mocambo club and renowned for its powerful blues-rock performances.
-
C.
Live at the Marquee
Live at the Marquee is a live album by progressive metal band Dream Theater, capturing an early 1990s performance that showcases their technical musicianship and complex compositions.
-
D.
Live at the Murat
"Live at the Murat" is a live album by progressive rock jam band Umphrey's McGee, showcasing their improvisational performances recorded at the Murat Theatre in Indianapolis.
-
E.
Live at the Palace
Live at the Palace is a posthumously released live album by Blind Melon capturing one of the band’s energetic performances during their 1990s heyday.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8dcf94c288190a06dea029ae4b223 |
completed | April 10, 2026, 11:20 a.m. |
| NER | Named-entity recognition | batch_69e5a6b8b7d88190a8828746176776ea |
completed | April 20, 2026, 4:08 a.m. |
Created at: April 10, 2026, 11:55 a.m.