Triple

T17784342
Position Surface form Disambiguated ID Type / Status
Subject The Greeting E443978 entity
Predicate basedOn P98 FINISHED
Object Pontormo’s painting The Visitation NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Pontormo’s painting The Visitation | Statement: [The Greeting, basedOn, Pontormo’s painting The Visitation]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Pontormo’s painting The Visitation
Context triple: [The Greeting, basedOn, Pontormo’s painting The Visitation]
  • A. Assumption of the Virgin (Titian)
    Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
  • B. Raphael’s Madonna paintings
    Raphael’s Madonna paintings are a celebrated series of Renaissance artworks depicting the Virgin Mary with the Christ Child (often with other figures), renowned for their harmonious composition, serene beauty, and profound spiritual grace.
  • C. The Visitation by Rembrandt
    "The Visitation" by Rembrandt is a 17th-century biblical painting depicting the meeting of the Virgin Mary and Elizabeth, notable for its dramatic use of light and intimate emotional realism.
  • D. Raphael’s “Madonna Conestabile”
    Raphael’s “Madonna Conestabile” is a small, early 16th-century devotional painting of the Virgin and Child, celebrated for its delicate composition and serene, idealized beauty.
  • E. Pesaro Altarpiece
    The Pesaro Altarpiece is a renowned Renaissance altarpiece painting by Giovanni Bellini, celebrated for its luminous color, serene sacred figures, and influential role in the development of Venetian painting.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Pontormo’s painting The Visitation
Target entity description: Pontormo’s painting *The Visitation* is a Mannerist masterpiece depicting the meeting of the Virgin Mary and Elizabeth in an elongated, emotionally charged style characterized by vivid colors and complex spatial composition.
  • A. Assumption of the Virgin (Titian)
    Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
  • B. Raphael’s Madonna paintings
    Raphael’s Madonna paintings are a celebrated series of Renaissance artworks depicting the Virgin Mary with the Christ Child (often with other figures), renowned for their harmonious composition, serene beauty, and profound spiritual grace.
  • C. The Visitation by Rembrandt
    "The Visitation" by Rembrandt is a 17th-century biblical painting depicting the meeting of the Virgin Mary and Elizabeth, notable for its dramatic use of light and intimate emotional realism.
  • D. Raphael’s “Madonna Conestabile”
    Raphael’s “Madonna Conestabile” is a small, early 16th-century devotional painting of the Virgin and Child, celebrated for its delicate composition and serene, idealized beauty.
  • E. Pesaro Altarpiece
    The Pesaro Altarpiece is a renowned Renaissance altarpiece painting by Giovanni Bellini, celebrated for its luminous color, serene sacred figures, and influential role in the development of Venetian painting.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8b9ef17708190bdf7e2adbf14ddc2 completed April 10, 2026, 8:50 a.m.
NER Named-entity recognition batch_69e48791dec0819090d6e88449389fc0 completed April 19, 2026, 7:43 a.m.
Created at: April 10, 2026, 10:12 a.m.