Triple
T17784342
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | The Greeting |
E443978
|
entity |
| Predicate | basedOn |
P98
|
FINISHED |
| Object | Pontormo’s painting The Visitation |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Pontormo’s painting The Visitation | Statement: [The Greeting, basedOn, Pontormo’s painting The Visitation]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Pontormo’s painting The Visitation Context triple: [The Greeting, basedOn, Pontormo’s painting The Visitation]
-
A.
Assumption of the Virgin (Titian)
Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
-
B.
Raphael’s Madonna paintings
Raphael’s Madonna paintings are a celebrated series of Renaissance artworks depicting the Virgin Mary with the Christ Child (often with other figures), renowned for their harmonious composition, serene beauty, and profound spiritual grace.
-
C.
The Visitation by Rembrandt
"The Visitation" by Rembrandt is a 17th-century biblical painting depicting the meeting of the Virgin Mary and Elizabeth, notable for its dramatic use of light and intimate emotional realism.
-
D.
Raphael’s “Madonna Conestabile”
Raphael’s “Madonna Conestabile” is a small, early 16th-century devotional painting of the Virgin and Child, celebrated for its delicate composition and serene, idealized beauty.
-
E.
Pesaro Altarpiece
The Pesaro Altarpiece is a renowned Renaissance altarpiece painting by Giovanni Bellini, celebrated for its luminous color, serene sacred figures, and influential role in the development of Venetian painting.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Pontormo’s painting The Visitation Target entity description: Pontormo’s painting *The Visitation* is a Mannerist masterpiece depicting the meeting of the Virgin Mary and Elizabeth in an elongated, emotionally charged style characterized by vivid colors and complex spatial composition.
-
A.
Assumption of the Virgin (Titian)
Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
-
B.
Raphael’s Madonna paintings
Raphael’s Madonna paintings are a celebrated series of Renaissance artworks depicting the Virgin Mary with the Christ Child (often with other figures), renowned for their harmonious composition, serene beauty, and profound spiritual grace.
-
C.
The Visitation by Rembrandt
"The Visitation" by Rembrandt is a 17th-century biblical painting depicting the meeting of the Virgin Mary and Elizabeth, notable for its dramatic use of light and intimate emotional realism.
-
D.
Raphael’s “Madonna Conestabile”
Raphael’s “Madonna Conestabile” is a small, early 16th-century devotional painting of the Virgin and Child, celebrated for its delicate composition and serene, idealized beauty.
-
E.
Pesaro Altarpiece
The Pesaro Altarpiece is a renowned Renaissance altarpiece painting by Giovanni Bellini, celebrated for its luminous color, serene sacred figures, and influential role in the development of Venetian painting.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8b9ef17708190bdf7e2adbf14ddc2 |
completed | April 10, 2026, 8:50 a.m. |
| NER | Named-entity recognition | batch_69e48791dec0819090d6e88449389fc0 |
completed | April 19, 2026, 7:43 a.m. |
Created at: April 10, 2026, 10:12 a.m.