Triple
T17747642
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Fran Kranz |
E443028
|
entity |
| Predicate | playedCharacter |
P1507
|
FINISHED |
| Object | Claudio in Much Ado About Nothing (2012 film) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Claudio in Much Ado About Nothing (2012 film) | Statement: [Fran Kranz, playedCharacter, Claudio in Much Ado About Nothing (2012 film)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Claudio in Much Ado About Nothing (2012 film) Context triple: [Fran Kranz, playedCharacter, Claudio in Much Ado About Nothing (2012 film)]
-
A.
Much Ado About Nothing (2012 film)
Much Ado About Nothing (2012 film) is a modern, low-budget black-and-white adaptation of Shakespeare’s comedy, directed by Joss Whedon and featuring many actors from his regular ensemble.
-
B.
Much Ado About Nothing (1993 film)
Much Ado About Nothing (1993 film) is a 1993 romantic comedy adaptation of Shakespeare’s play, directed by and starring Kenneth Branagh alongside an ensemble cast.
-
C.
Act II of Much Ado About Nothing
Act II of Much Ado About Nothing is the pivotal early act of Shakespeare’s comedy in which masked revelry, sharp-witted banter, and emerging schemes set the stage for both romantic misunderstandings and darker deceptions.
-
D.
Much Ado About Nothing (1972 musical adaptation)
Much Ado About Nothing (1972 musical adaptation) is a stage musical version of Shakespeare’s comedy, created in the early 1970s with choreography by Donald Saddler.
-
E.
Act IV of Much Ado About Nothing
Act IV of Much Ado About Nothing is the pivotal act in Shakespeare’s comedy where Don John’s deceit culminates in the disastrous wedding scene, leading to Hero’s public shaming and the play’s darkest emotional turn.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Claudio in Much Ado About Nothing (2012 film) Target entity description: Claudio in Much Ado About Nothing (2012 film) is a young nobleman and romantic lead whose impulsive jealousy and credulity drive much of the Shakespearean comedy’s conflict in Joss Whedon’s modern adaptation.
-
A.
Much Ado About Nothing (2012 film)
Much Ado About Nothing (2012 film) is a modern, low-budget black-and-white adaptation of Shakespeare’s comedy, directed by Joss Whedon and featuring many actors from his regular ensemble.
-
B.
Much Ado About Nothing (1993 film)
Much Ado About Nothing (1993 film) is a 1993 romantic comedy adaptation of Shakespeare’s play, directed by and starring Kenneth Branagh alongside an ensemble cast.
-
C.
Act II of Much Ado About Nothing
Act II of Much Ado About Nothing is the pivotal early act of Shakespeare’s comedy in which masked revelry, sharp-witted banter, and emerging schemes set the stage for both romantic misunderstandings and darker deceptions.
-
D.
Much Ado About Nothing (1972 musical adaptation)
Much Ado About Nothing (1972 musical adaptation) is a stage musical version of Shakespeare’s comedy, created in the early 1970s with choreography by Donald Saddler.
-
E.
Act IV of Much Ado About Nothing
Act IV of Much Ado About Nothing is the pivotal act in Shakespeare’s comedy where Don John’s deceit culminates in the disastrous wedding scene, leading to Hero’s public shaming and the play’s darkest emotional turn.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8b9ed3a2081909b2ec0d4dd2f4c37 |
completed | April 10, 2026, 8:50 a.m. |
| NER | Named-entity recognition | batch_69e47ad33160819093c9bbd3c8957314 |
completed | April 19, 2026, 6:48 a.m. |
Created at: April 10, 2026, 10:10 a.m.