Triple

T17697807
Position Surface form Disambiguated ID Type / Status
Subject Leith Stevens E441216 entity
Predicate notableWork P4 FINISHED
Object The War of the Worlds (1953 film score) — NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The War of the Worlds (1953 film score) | Statement: [Leith Stevens, notableWork, The War of the Worlds (1953 film score)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: The War of the Worlds (1953 film score)
Context triple: [Leith Stevens, notableWork, The War of the Worlds (1953 film score)]
  • A. The Day the Earth Stood Still (1951 film) score
    The score for the 1951 film "The Day the Earth Stood Still" is a pioneering science-fiction film soundtrack by Bernard Herrmann, renowned for its eerie, otherworldly use of theremins and innovative orchestration.
  • B. The Day of the Triffids (film score)
    The Day of the Triffids (film score) is a 1962 science-fiction film soundtrack composed by Ron Goodwin, noted for its suspenseful orchestral themes that enhance the movie’s atmosphere of post-apocalyptic horror.
  • C. The Andromeda Strain (film score)
    The Andromeda Strain (film score) is Gil Mellé’s pioneering, experimental electronic soundtrack for the 1971 science-fiction thriller, noted for its innovative use of early synthesizer technology and avant-garde sound design.
  • D. Planet of the Apes (1968 film score)
    Planet of the Apes (1968 film score) is an influential, avant-garde film soundtrack known for its experimental orchestration and pioneering use of unconventional percussion and tonal techniques.
  • E. Close Encounters of the Third Kind film score
    The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07 
Target entity: The War of the Worlds (1953 film score)
Target entity description: The War of the Worlds (1953 film score) is Leith Stevens’ dramatic orchestral soundtrack for the classic 1953 science fiction film adaptation of H.G. Wells’ novel, noted for its tense, atmospheric music that heightens the movie’s alien invasion narrative.
  • A. The Day the Earth Stood Still (1951 film) score
    The score for the 1951 film "The Day the Earth Stood Still" is a pioneering science-fiction film soundtrack by Bernard Herrmann, renowned for its eerie, otherworldly use of theremins and innovative orchestration.
  • B. The Day of the Triffids (film score)
    The Day of the Triffids (film score) is a 1962 science-fiction film soundtrack composed by Ron Goodwin, noted for its suspenseful orchestral themes that enhance the movie’s atmosphere of post-apocalyptic horror.
  • C. The Andromeda Strain (film score)
    The Andromeda Strain (film score) is Gil Mellé’s pioneering, experimental electronic soundtrack for the 1971 science-fiction thriller, noted for its innovative use of early synthesizer technology and avant-garde sound design.
  • D. Planet of the Apes (1968 film score)
    Planet of the Apes (1968 film score) is an influential, avant-garde film soundtrack known for its experimental orchestration and pioneering use of unconventional percussion and tonal techniques.
  • E. Close Encounters of the Third Kind film score
    The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8b9ea20b48190ace88bb46b01e6a9 completed April 10, 2026, 8:50 a.m.
NER Named-entity recognition batch_69e47157fd688190ba990eaf46ceab01 completed April 19, 2026, 6:08 a.m.
Created at: April 10, 2026, 10:04 a.m.