Triple

Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).

Phrase: Post-Cubism | Statement: [La Lecture, movement, Post-Cubism]

Target entity: Post-Cubism
Context triple: [La Lecture, movement, Post-Cubism]

• A. Salon Cubism
  Salon Cubism was a more decorative, accessible branch of early 20th-century Cubism practiced by artists who exhibited in major Paris salons, helping popularize the style beyond the avant-garde circle of Picasso and Braque.
• B. Cubism
  Cubism is an early 20th-century avant-garde art movement, pioneered by artists like Pablo Picasso and Georges Braque, that revolutionized visual representation by fragmenting subjects into geometric forms and depicting multiple viewpoints simultaneously.
• C. Post-Impressionism
  Post-Impressionism was a late 19th-century art movement that evolved from Impressionism and is characterized by more expressive color, symbolic content, and formal experimentation by artists such as Van Gogh, Gauguin, and Cézanne.
• D. post-painterly abstraction
  Post-painterly abstraction is a mid-20th-century art movement characterized by large, flat areas of color, clarity of form, and a rejection of the emotional intensity and gestural brushwork of Abstract Expressionism.
• E. Neo-Expressionism
  Neo-Expressionism is a late 20th-century art movement characterized by a return to intense subjectivity, vivid color, and raw, gestural painting, often featuring figurative imagery and emotional intensity in reaction against conceptual and minimal art.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Generate a one-sentence description of the target entity. 
You are given a context triple in the form (subject, predicate, object), where the object is the target entity. 
# Instructions
Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. 
Avoid repeating the information from the triple, unless really essential.
# Response Format
Return only the sentence: "Description: [one-sentence description of the target entity]"

Entity: Post-Cubism
Triple: [La Lecture, movement, Post-Cubism]

Post-Cubism is an art movement that evolved from Cubism, retaining its fragmented forms while reintroducing more recognizable subjects, color, and expressive composition.

Target entity: Post-Cubism
Target entity description: Post-Cubism is an art movement that evolved from Cubism, retaining its fragmented forms while reintroducing more recognizable subjects, color, and expressive composition.

• A. Salon Cubism chosen
  Salon Cubism was a more decorative, accessible branch of early 20th-century Cubism practiced by artists who exhibited in major Paris salons, helping popularize the style beyond the avant-garde circle of Picasso and Braque.
• B. Cubism
  Cubism is an early 20th-century avant-garde art movement, pioneered by artists like Pablo Picasso and Georges Braque, that revolutionized visual representation by fragmenting subjects into geometric forms and depicting multiple viewpoints simultaneously.
• C. Post-Impressionism
  Post-Impressionism was a late 19th-century art movement that evolved from Impressionism and is characterized by more expressive color, symbolic content, and formal experimentation by artists such as Van Gogh, Gauguin, and Cézanne.
• D. post-painterly abstraction
  Post-painterly abstraction is a mid-20th-century art movement characterized by large, flat areas of color, clarity of form, and a rejection of the emotional intensity and gestural brushwork of Abstract Expressionism.
• E. Neo-Expressionism
  Neo-Expressionism is a late 20th-century art movement characterized by a return to intense subjectivity, vivid color, and raw, gestural painting, often featuring figurative imagery and emotional intensity in reaction against conceptual and minimal art.
• F. None of above.