Triple
T16556129
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Now That's What I Call Quite Good |
E402205
|
entity |
| Predicate | hasPart |
P35
|
FINISHED |
| Object | Me and the Farmer (live) |
E402195
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Me and the Farmer (live) | Statement: [Now That's What I Call Quite Good, hasPart, Me and the Farmer (live)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Me and the Farmer (live) Context triple: [Now That's What I Call Quite Good, hasPart, Me and the Farmer (live)]
-
A.
Me and the Farmer
chosen
"Me and the Farmer" is a jangly, socially conscious indie pop song by English band The Housemartins, known for its catchy melody and wry commentary on rural life and class.
-
B.
Farmers (Remix)
"Farmers (Remix)" is a hip-hop remix track associated with the artist G.O.A.T., likely offering an updated or reimagined version of an original song titled "Farmers."
-
C.
In God’s Country (live)
"In God’s Country (live)" is a live performance recording of U2’s song “In God’s Country,” typically featuring the band’s onstage reinterpretation and extended instrumentation of the original studio track.
-
D.
Out in the Fields
"Out in the Fields" is a 1985 hard rock/metal single by Irish guitarist Gary Moore, featuring Phil Lynott, that addresses the violence of the Troubles in Northern Ireland.
-
E.
Love Ain’t Here Anymore (live)
"Love Ain’t Here Anymore (live)" is a live performance version of Take That’s ballad "Love Ain’t Here Anymore," featured as part of their concert release "The Circus."
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8838648088190acf97ef11fc3f61b |
completed | April 10, 2026, 4:58 a.m. |
| NER | Named-entity recognition | batch_69e34fc99f648190b40869ce52d351c8 |
completed | April 18, 2026, 9:32 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_6a0067ba4bec81909dfa87bcd2bfa7be |
completed | May 10, 2026, 11:10 a.m. |
Created at: April 10, 2026, 5:15 a.m.