Triple
T1646165
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Bathers at Asnières |
E35586
|
entity |
| Predicate | title |
P38
|
FINISHED |
| Object | Bathers at Asnières |
E35586
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Bathers at Asnières | Statement: [Bathers at Asnières, title, Bathers at Asnières]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Bathers at Asnières Context triple: [Bathers at Asnières, title, Bathers at Asnières]
-
A.
Bathers at Asnières
chosen
Bathers at Asnières is a large-scale 1884 oil painting by Georges Seurat that depicts working-class Parisians relaxing by the Seine and is considered a key early example of his innovative approach to color and composition.
-
B.
The Bathers
The Bathers is a series of large-scale Post-Impressionist paintings by Paul Cézanne depicting groups of nude figures in stylized natural landscapes, considered pivotal in the development of modern art.
-
C.
The Large Bathers
The Large Bathers is a late 19th-century painting by Pierre-Auguste Renoir that depicts a group of nude women in a lush outdoor setting, reflecting his transition from Impressionism toward a more classical, sculptural style.
-
D.
Impression, Sunrise
Impression, Sunrise is an 1872 painting by Claude Monet that famously gave the Impressionist movement its name and exemplifies its loose brushwork and focus on light and atmosphere.
-
E.
A Sunday on La Grande Jatte — 1884
A Sunday on La Grande Jatte — 1884 is Georges Seurat’s iconic pointillist masterpiece depicting Parisians relaxing in a riverside park, and one of the most celebrated paintings of the late 19th century.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69a88604618c81908b41f6429c431eb6 |
completed | March 4, 2026, 7:20 p.m. |
| NER | Named-entity recognition | batch_69a90a62b26c8190bf97bb80c228b47e |
completed | March 5, 2026, 4:45 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69ad60a4bd5481908b46f44364c15592 |
completed | March 8, 2026, 11:42 a.m. |
Created at: March 4, 2026, 7:28 p.m.