Triple
T15048124
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Marine Bleue, Effet de Vagues |
E379283
|
entity |
| Predicate | movement |
P81
|
FINISHED |
| Object | Les Nabis |
E70607
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Les Nabis | Statement: [Marine Bleue, Effet de Vagues, movement, Les Nabis]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Les Nabis Context triple: [Marine Bleue, Effet de Vagues, movement, Les Nabis]
-
A.
Les Nabis
chosen
Les Nabis were a late 19th-century group of French avant-garde artists who sought to synthesize symbolism, decorative art, and spiritual themes into a new, modern visual language.
-
B.
Les Fauves
Les Fauves were an early 20th-century French art movement known for their radical use of vivid, non-naturalistic color and bold brushwork, led by artists such as Henri Matisse and André Derain.
-
C.
De Cézanne à Gauguin
De Cézanne à Gauguin is an art-critical work by Émile Bernard that reflects on and analyzes the painting and influence of Paul Cézanne and Paul Gauguin within the development of modern art.
-
D.
La Nouvelle peinture
La Nouvelle peinture is an influential critical essay by Edmond Duranty that helped define and legitimize the emerging Impressionist movement in late 19th-century French art.
-
E.
Les Automatistes
Les Automatistes was a mid-20th-century Quebec avant-garde art movement and collective known for its abstract, expressive painting and its influential Refus global manifesto challenging conservative cultural norms.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d85cd64d108190853797a95c11cc45 |
completed | April 10, 2026, 2:13 a.m. |
| NER | Named-entity recognition | batch_69deda8e64e48190873104a02a676ff3 |
completed | April 15, 2026, 12:23 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69fe9de73614819098b7a88624407d0e |
completed | May 9, 2026, 2:37 a.m. |
Created at: April 10, 2026, 3 a.m.