Triple
T14520253
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Jersey Boys |
E340630
|
entity |
| Predicate | hasPart |
P35
|
FINISHED |
| Object |
Act II
Act II is the second half of the jukebox musical "Jersey Boys," continuing the dramatized story of The Four Seasons’ rise, conflicts, and legacy.
|
E1104932
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act II | Statement: [Jersey Boys, hasPart, Act II]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Act II Context triple: [Jersey Boys, hasPart, Act II]
-
A.
Act II
Act II is the second act of Bruce Norris's Pulitzer Prize–winning play "Clybourne Park," set in the same house 50 years later to explore contemporary racial and gentrification tensions.
-
B.
Act II
Act II is a major segment of Johann Wolfgang von Goethe’s drama "Götz von Berlichingen," advancing the historical knight’s conflicts and deepening the play’s political and personal tensions.
-
C.
Act II
Act II is the middle section of Eugene O’Neill’s play "Anna Christie," in which the drama deepens as the characters’ relationships and conflicts become more fully developed.
-
D.
Act II
Act II is the middle section of an opera or play in which the drama typically intensifies and key character developments and plot turns occur.
-
E.
Act II
Act II is a pivotal middle section of Henrik Ibsen’s play "A Doll’s House," where key character relationships deepen and crucial tensions build toward the drama’s climax.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Act II Triple: [Jersey Boys, hasPart, Act II]
Generated description
Act II is the second half of the jukebox musical "Jersey Boys," continuing the dramatized story of The Four Seasons’ rise, conflicts, and legacy.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Act II Target entity description: Act II is the second half of the jukebox musical "Jersey Boys," continuing the dramatized story of The Four Seasons’ rise, conflicts, and legacy.
-
A.
Act II
Act II is the second half of the musical "Chess," continuing and resolving its Cold War–era drama of international chess rivalry and romantic entanglements.
-
B.
Act II
Act II is the middle section of an opera or play in which the drama typically intensifies and key character developments and plot turns occur.
-
C.
Act II
Act II is the second section of the five-part musical and theatrical work *Le Martyre de saint Sébastien* by Claude Debussy and Gabriele D’Annunzio.
-
D.
Act II
Act II is the middle segment of the 1858 comic play "Our American Cousin," in which the plot and character conflicts further develop toward the story’s climax.
-
E.
Act II
Act II is the middle section of Eugene O’Neill’s play "Anna Christie," in which the drama deepens as the characters’ relationships and conflicts become more fully developed.
- F. None of above. chosen
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d822d9c0408190b9a2b3643e58bb4d |
completed | April 9, 2026, 10:06 p.m. |
| NER | Named-entity recognition | batch_69de9a70b15c81908773633e989ef704 |
completed | April 14, 2026, 7:50 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69fd7a4b71688190ae9ebccdc81d09f8 |
completed | May 8, 2026, 5:53 a.m. |
| NEDg | Description generation | batch_69fd7bf6b13481908307a2037d0de804 |
completed | May 8, 2026, 6 a.m. |
| NED2 | Entity disambiguation (via description) | batch_69fd7ce0d8a0819083ba348412d76ee5 |
completed | May 8, 2026, 6:04 a.m. |
Created at: April 10, 2026, 1:22 a.m.