Triple

T12433335
Position Surface form Disambiguated ID Type / Status
Subject Hannah Höch E297084 entity
Predicate notableWork P4 FINISHED
Object Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany E297087 NE FINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany | Statement: [Hannah Höch, notableWork, Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany
Context triple: [Hannah Höch, notableWork, Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany]
  • A. Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany chosen
    Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany is a famous 1919–1920 photomontage by German artist Hannah Höch that critiques Weimar-era politics and culture through a chaotic collage of mass-media imagery.
  • B. Sept manifestes Dada
    Sept manifestes Dada is a foundational collection of Dadaist manifestos by Tristan Tzara that articulates the movement’s anti-art, anti-rationalist principles.
  • C. The Cut-Ups
    The Cut-Ups is a musical group known for collaborating with or featuring the work of musician Bill Schneider.
  • D. Verfremdungseffekt
    Verfremdungseffekt is a theatrical technique that deliberately distances the audience emotionally from the action to encourage critical reflection on the play’s social and political themes.
  • E. Oberhausen Manifesto
    The Oberhausen Manifesto was a 1962 declaration by young West German filmmakers that rejected the existing film industry and called for a new, artistically and politically engaged German cinema.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d6ada0640c81908c061d7fb3d47786 completed April 8, 2026, 7:33 p.m.
NER Named-entity recognition batch_69d94d804c2c819082f2f86edcbb50de completed April 10, 2026, 7:20 p.m.
NED1 Entity disambiguation (via context triple) batch_69f6349d29c481909a37fd386cc06575 completed May 2, 2026, 5:30 p.m.
Created at: April 8, 2026, 9:55 p.m.