Triple
T12385696
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Daniel Mandell |
E295857
|
entity |
| Predicate | edited |
P1932
|
FINISHED |
| Object | Hands Across the Table |
E193907
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Hands Across the Table | Statement: [Daniel Mandell, edited, Hands Across the Table]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Hands Across the Table Context triple: [Daniel Mandell, edited, Hands Across the Table]
-
A.
Hands Across the Table
chosen
Hands Across the Table is a 1935 romantic comedy film starring Carole Lombard and Fred MacMurray, known for its witty script and sophisticated direction.
-
B.
Leaving the Table
"Leaving the Table" is a reflective, melancholic song by Leonard Cohen that explores themes of resignation, aging, and emotional withdrawal.
-
C.
Crowded Table
"Crowded Table" is a widely acclaimed country-folk song by the supergroup The Highwomen that emphasizes themes of inclusivity, community, and belonging.
-
D.
Join Hands
"Join Hands" is the dark, militaristic second studio album by English post-punk band Siouxsie and the Banshees, noted for its stark atmosphere and exploration of themes like war and loss.
-
E.
Under the Table
"Under the Table" is a song by American singer-songwriter Fiona Apple from her critically acclaimed 2020 album Fetch the Bolt Cutters.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d6ad9e653c8190b1473c860ee53dae |
completed | April 8, 2026, 7:33 p.m. |
| NER | Named-entity recognition | batch_69d93fbd489c819098233a111442762e |
completed | April 10, 2026, 6:21 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69f62ac939bc819081629b9eef20c4e7 |
completed | May 2, 2026, 4:48 p.m. |
Created at: April 8, 2026, 9:54 p.m.