Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_movement
|
| gptkbp:associated_with |
gptkb:Suprematism
Constructivism Productivism |
| gptkbp:characterized_by |
abstract art
experimental techniques geometric forms |
| gptkbp:declined_in |
Stalinist repression
|
| gptkbp:exhibited_at |
gptkb:The_State_Russian_Museum
gptkb:The_Tretyakov_Gallery The Last Futurist Exhibition of Paintings 0.10 |
| gptkbp:flourished_during |
early 20th century
|
| https://www.w3.org/2000/01/rdf-schema#label |
the Russian avant-garde
|
| gptkbp:influenced |
modern art
|
| gptkbp:influenced_by |
gptkb:Futurism
|
| gptkbp:key_concept |
collaboration between artists
the relationship between art and technology the relationship between art and politics rejection of traditional aesthetics the role of the artist in society integration of art and life political engagement in art the use of abstraction the exploration of identity in art art as a tool for social change the impact of technology on art new materials and techniques the exploration of sound in art the exploration of space and form the impact of World War I on art the use of color theory the role of the avant-garde in the Russian Revolution the concept of the 'new man' in art the exploration of urban life in art the impact of the Russian Civil War on art the influence of Marxism on art the relationship between art and the environment the role of the artist as a revolutionary the role of women in the avant-garde the use of performance in art the use of propaganda in art |
| gptkbp:legacy |
influenced postmodern art
|
| gptkbp:notable_figures |
gptkb:Kazimir_Malevich
gptkb:El_Lissitzky gptkb:Vladimir_Tatlin gptkb:Aleksandr_Rodchenko gptkb:Natalia_Goncharova |
| gptkbp:originated_in |
gptkb:Russia
|
| gptkbp:bfsParent |
gptkb:Wassily_Kandinsky
|
| gptkbp:bfsLayer |
4
|