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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:musical
gptkb:0
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gptkbp:based_on
|
the 1934 film of the same name
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gptkbp:box_office
|
$7.5 million
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gptkbp:character
|
gptkb:Dr._Ben_Mc_Kenna
gptkb:Louis_Bernard
the assassin
Joan Mc Kenna
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gptkbp:cinematography
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gptkb:Robert_Burks
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gptkbp:color
|
gptkb:Technicolor
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gptkbp:country
|
gptkb:United_States
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gptkbp:critical_reception
|
generally positive
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gptkbp:cultural_impact
|
considered a classic thriller
|
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gptkbp:director
|
gptkb:Alfred_Hitchcock
|
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gptkbp:editor
|
gptkb:George_Tomasini
|
|
gptkbp:film_score
|
Bernard Herrmann's score
|
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gptkbp:filmography
|
gptkb:George_Tomasini
|
|
gptkbp:genre
|
gptkb:film
|
|
gptkbp:home_media_release
|
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
the Man Who Knew Too Much
|
|
gptkbp:influenced
|
subsequent thrillers
the genre of suspense films
|
|
gptkbp:influenced_by
|
the 1934 film ' The Man Who Knew Too Much'
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
remains a significant work in Hitchcock's filmography
|
|
gptkbp:music_by
|
gptkb:Bernard_Herrmann
|
|
gptkbp:notable_appearance
|
The ' Que Sera, Sera' scene
|
|
gptkbp:notable_quote
|
' Que Sera, Sera'
|
|
gptkbp:plot
|
A couple becomes embroiled in an international assassination plot.
|
|
gptkbp:premiere
|
gptkb:Borough
|
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gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:release_date
|
October 24, 1956
|
|
gptkbp:release_year
|
gptkb:1956
|
|
gptkbp:remake
|
the 1934 film ' The Man Who Knew Too Much'
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_Michael_Hayes
|
|
gptkbp:setting
|
gptkb:Borough
gptkb:Morocco
gptkb:the_United_States
|
|
gptkbp:starring
|
gptkb:Doris_Day
gptkb:James_M._Stewart
|
|
gptkbp:theme
|
parental love
international intrigue
danger of knowledge
|
|
gptkbp:bfsParent
|
gptkb:Bernard_Baruch
|
|
gptkbp:bfsLayer
|
5
|