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gptkbp:instanceOf
|
film producer
|
|
gptkbp:advocatesFor
|
film education
|
|
gptkbp:associatedWith
|
gptkb:Universal_Studios
|
|
gptkbp:awards
|
gptkb:Hollywood_Walk_of_Fame_star
|
|
gptkbp:birthPlace
|
gptkb:Germany
|
|
gptkbp:born
|
September 16, 1867
|
|
gptkbp:children
|
gptkb:Carl_Laemmle_Jr.
|
|
gptkbp:contributedTo
|
gptkb:Hollywood's_Golden_Age
film history
film innovation
film preservation efforts
|
|
gptkbp:contribution
|
horror films
|
|
gptkbp:died
|
September 24, 1939
|
|
gptkbp:established
|
gptkb:Laemmle_Theatres
|
|
gptkbp:founded
|
gptkb:Universal_City
Universal_Pictures_in_1912
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
William Laemmle
|
|
gptkbp:influenced
|
gptkb:Hollywood_film_industry
cinematic techniques
film marketing
horror genre
independent filmmaking
film technology advancements
genre filmmaking
film narrative structure
|
|
gptkbp:influencedBy
|
gptkb:Thomas_Edison
|
|
gptkbp:involvedIn
|
film production
film distribution
film financing
|
|
gptkbp:is_a
|
feature-length films
|
|
gptkbp:knownFor
|
gptkb:The_Mummy_(1932)
gptkb:Frankenstein_(1931)
gptkb:The_Hunchback_of_Notre_Dame_(1923)
gptkb:Dracula_(1931)
innovative marketing strategies
The Wolf Man (1941)
The Invisible Man (1933)
founding_Universal_Pictures
|
|
gptkbp:legacy
|
gptkb:Universal_Monsters_franchise
|
|
gptkbp:locatedIn
|
gptkb:Los_Angeles,_California
|
|
gptkbp:nationality
|
American
|
|
gptkbp:notableWork
|
The Phantom of the Opera (1925)
|
|
gptkbp:occupation
|
film executive
|
|
gptkbp:promoted
|
cinematic storytelling
|
|
gptkbp:recognizedBy
|
gptkb:Academy_of_Motion_Picture_Arts_and_Sciences
contributions to cinema
|
|
gptkbp:spouse
|
gptkb:Minnie_Laemmle
|
|
gptkbp:supported
|
film festivals
emerging filmmakers
silent films
|
|
gptkbp:transferFee
|
gptkb:United_States
|