Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Henrik_Ibsen
|
| gptkbp:adaptation |
gptkb:opera
gptkb:film |
| gptkbp:author |
gptkb:Henrik_Ibsen
|
| gptkbp:character |
gptkb:Maja
gptkb:The_Young_Woman The Sculptor Mrs. Rubek Ulf Rubek |
| gptkbp:conflict |
personal relationships
artistic struggle |
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:cultural_impact |
influenced feminist literature
analyzed in academic studies explored themes of identity inspired discussions on existentialism |
| gptkbp:genre |
gptkb:High_School
|
| https://www.w3.org/2000/01/rdf-schema#label |
When We Dead Awaken
|
| gptkbp:influence |
modern drama
|
| gptkbp:inspiration |
the relationship between creator and creation
the struggle for personal fulfillment Ibsen's own life experiences the concept of artistic integrity |
| gptkbp:language |
gptkb:Politician
|
| gptkbp:legacy |
studied in literature courses
performed in academic settings analyzed for its philosophical themes considered a significant work in Ibsen's oeuvre influenced playwrights after Ibsen |
| gptkbp:main_character |
gptkb:Maja
Rubek |
| gptkbp:notable_quote |
" To awaken is to be born again."
|
| gptkbp:performance |
performed worldwide
translated into multiple languages performed in theaters adapted for stage productions included in drama festivals |
| gptkbp:premiere_date |
1900
|
| gptkbp:published_by |
1899
|
| gptkbp:setting |
gptkb:Norway
|
| gptkbp:symbolism |
gptkb:the_statue
the journey the awakening |
| gptkbp:theme |
love
self-realization art and life |