Statements (64)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
theatre school
|
| gptkbp:associatedWith |
cultural movements
performance art social commentary theatre aesthetics theatre practitioners artistic collaboration avant-garde theatre theatre history theatre community theatre collaboration theatre festivals theatre heritage theatre research experimental theatre theatre production theatre education theatre culture theatrical innovation theatre workshops theatre criticism epic theatre theatre theory dramatic literature political theatre theatre outreach theatre experimentation theatre audiences theatre dialogue theatre reform theatre activism theatre techniques theatre performance theatre tradition theatre movements theatre communication theatre connection theatre context theatre dynamics theatre engagement theatre evolution theatre exploration theatre expression theatre identity theatre impact theatre influence theatre interaction theatre interpretation theatre legacy theatre narrative theatre philosophy theatre representation theatre significance theatre styles |
| gptkbp:foundedIn |
1919
|
| https://www.w3.org/2000/01/rdf-schema#label |
Weimar School of Theatre
|
| gptkbp:influencedBy |
gptkb:German_Expressionism
|
| gptkbp:location |
gptkb:Weimar,_Germany
|
| gptkbp:notablePerson |
gptkb:Kurt_Weill
gptkb:Bertolt_Brecht Erwin Piscator |
| gptkbp:notableWork |
Mother Courage and Her Children
The Good Person of Szechwan The Threepenny Opera |