|
gptkbp:instance_of
|
gptkb:song
gptkb:film
|
|
gptkbp:album
|
gptkb:War_Games
I Disagree
|
|
gptkbp:artist
|
gptkb:CFO$
gptkb:Poppy
|
|
gptkbp:artistic_influence
|
Pop music
|
|
gptkbp:artistic_vision
|
Unique
|
|
gptkbp:associated_act
|
gptkb:Titanic_Sinclair
|
|
gptkbp:audience
|
gptkb:High
Young adults
|
|
gptkbp:awards
|
gptkb:None
gptkb:Hugo_Award_for_Best_Dramatic_Presentation
gptkb:Academy_Award_nomination
gptkb:music_awards
Academy Award nomination for Best Original Screenplay
Nominated for a Hugo Award.
Nominated for an Academy Award for Best Effects.
|
|
gptkbp:box_office
|
$79.6 million
$79.5 million
|
|
gptkbp:budget
|
$12 million
|
|
gptkbp:character
|
gptkb:Jennifer_Mack
gptkb:Dr._Stephen_Falken
gptkb:General_Beringer
gptkb:David_Lightman
Mr. Lightman
The WOPR
Colonel Pauls
|
|
gptkbp:chart_performance
|
gptkb:Billboard_Hot_100
|
|
gptkbp:cinematography
|
gptkb:Adam_Greenberg
|
|
gptkbp:cinematography_by
|
gptkb:Bill_Butler
gptkb:Donald_Peterman
|
|
gptkbp:collaboration
|
gptkb:None
|
|
gptkbp:costume_design
|
gptkb:Marlene_Stewart
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
gptkb:Yes
|
|
gptkbp:critical_reception
|
Positive
positive reviews
generally positive reviews
Mixed reviews from critics.
|
|
gptkbp:criticism
|
Favorable reviews
|
|
gptkbp:crossover
|
Alternative pop
|
|
gptkbp:cultural_impact
|
Video game culture
popularized the concept of hacking
Influenced public perception of computer hacking.
inspired discussions on computer security
|
|
gptkbp:cultural_references
|
Referenced in various other media.
|
|
gptkbp:design
|
gptkb:William_J._Mc_Gowan
|
|
gptkbp:directed_by
|
gptkb:John_Badham
|
|
gptkbp:director
|
gptkb:John_Badham
|
|
gptkbp:distributor
|
gptkb:MGM/_UA_Entertainment_Company
|
|
gptkbp:edited_by
|
gptkb:Donn_Cambern
|
|
gptkbp:fan_base
|
Poppy's fans
|
|
gptkbp:fan_engagement
|
Positive
|
|
gptkbp:featured_artist
|
gptkb:None
|
|
gptkbp:features
|
Nuclear War Theme
|
|
gptkbp:features_computer
|
gptkb:WOPR
|
|
gptkbp:film_festival
|
screened at various festivals.
|
|
gptkbp:film_series
|
gptkb:War_Games_franchise
|
|
gptkbp:filming_location
|
gptkb:Washington,_D._C.
gptkb:California
gptkb:Los_Angeles
gptkb:San_Francisco
|
|
gptkbp:genre
|
gptkb:science_fiction
gptkb:thriller
Electronic
Hip hop
|
|
gptkbp:has_cameo
|
gptkb:Stephen_Hawking
|
|
gptkbp:has_cultural_impact
|
inspired video games
influenced cybersecurity awareness
popularized the term 'hacker'
|
|
gptkbp:has_genre
|
gptkb:science_fiction
gptkb:drama
gptkb:thriller
|
|
gptkbp:has_sequel
|
gptkb:War_Games:_The_Dead_Code
|
|
gptkbp:has_soundtrack
|
gptkb:Arthur_B._Rubinstein
|
|
gptkbp:has_theme
|
gptkb:Artificial_Intelligence
computer hacking
Ethics of Technology
nuclear war
|
|
gptkbp:home_media_release
|
gptkb:VHS
gptkb:DVD
gptkb:Blu-ray
2000 DVD release
2010 Blu-ray release
1984 VHS release
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
War Games
|
|
gptkbp:influence
|
Contributed to the rise of hacker culture.
Encouraged youth interest in technology.
Inspired real-life discussions on cybersecurity.
Led to increased interest in computer programming.
Sparked debates on military ethics.
|
|
gptkbp:influenced
|
cybersecurity awareness
cyberpunk genre
TV shows about technology
subsequent films about hacking
video games about hacking
television shows about technology
|
|
gptkbp:influenced_artists
|
gptkb:Grimes
|
|
gptkbp:influenced_by
|
gptkb:The_Day_After
gptkb:Dr._Strangelove
gptkb:Cyberpunk
computer hacking culture
|
|
gptkbp:influences
|
Industrial music
|
|
gptkbp:inspiration
|
gptkb:Video_games
cybersecurity awareness campaigns
real-life hacking incidents
real-life computer incidents
Based on a story by Lawrence Lasker and Walter F. Parkes.
government policies on cybersecurity
|
|
gptkbp:instrumentation
|
Synthesizers
|
|
gptkbp:is_considered_as
|
Cult Classic
|
|
gptkbp:is_distributed_by
|
gptkb:MGM
|
|
gptkbp:is_influential_in
|
Cybersecurity Awareness
|
|
gptkbp:is_notable_for
|
Computer Hacking Themes
|
|
gptkbp:is_recognized_for
|
gptkb:Cultural_Impact
|
|
gptkbp:is_set_in
|
Cold War Era
|
|
gptkbp:label
|
CFO$ Records
Poppy's House
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a cult classic
Considered a classic of the 1980s.
|
|
gptkbp:length
|
3:12
3:30
|
|
gptkbp:live_performance
|
gptkb:Yes
|
|
gptkbp:lyrical_themes
|
gptkb:conflict
Technology and warfare
|
|
gptkbp:lyricist
|
gptkb:Poppy
|
|
gptkbp:makeup_artist
|
gptkb:Michael_Westmore
|
|
gptkbp:music_by
|
gptkb:Arthur_B._Rubinstein
|
|
gptkbp:music_genre
|
Synth-pop
|
|
gptkbp:music_style
|
Experimental pop
Verse-Chorus
|
|
gptkbp:music_video
|
gptkb:Yes
|
|
gptkbp:music_video_director
|
gptkb:Poppy
|
|
gptkbp:musical_elements
|
Electronic beats
|
|
gptkbp:next_album
|
BLOODMONEY
Sit/ Stay
|
|
gptkbp:notable_quote
|
“ Shall we play a game?”
|
|
gptkbp:notable_song
|
" I’m a war machine"
|
|
gptkbp:parody
|
Parodied in TV shows and films.
|
|
gptkbp:performance_style
|
Theatrical
|
|
gptkbp:plot
|
A young computer whiz kid accidentally hacks into a U. S. military supercomputer.
|
|
gptkbp:produced_by
|
gptkb:Lawrence_Lasker
gptkb:Larry_L._Kasanoff
gptkb:Donn_Cambern
gptkb:Walter_F._Parkes
|
|
gptkbp:producer
|
gptkb:CFO$
gptkb:Poppy
|
|
gptkbp:production_company
|
gptkb:United_Artists
|
|
gptkbp:rating
|
gptkb:PG
|
|
gptkbp:record_label
|
Poppy's House
|
|
gptkbp:recording_artist
|
gptkb:Poppy
|
|
gptkbp:recording_location
|
gptkb:Los_Angeles
|
|
gptkbp:release_date
|
gptkb:Yes
1983-06-03
January 10, 2020
June 3, 1983
|
|
gptkbp:release_format
|
gptkb:video
Digital
theatrical
|
|
gptkbp:release_year
|
gptkb:1983
gptkb:2018
gptkb:2020
|
|
gptkbp:released
|
gptkb:1983
|
|
gptkbp:released_in
|
gptkb:1983
|
|
gptkbp:remake
|
gptkb:War_Games:_The_Dead_Code
|
|
gptkbp:remix
|
gptkb:Yes
|
|
gptkbp:runtime
|
111 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Lawrence_Lasker
gptkb:Walter_F._Parkes
|
|
gptkbp:sequel
|
gptkb:War_Games:_The_Dead_Code
|
|
gptkbp:set_in
|
gptkb:United_States
|
|
gptkbp:setting
|
gptkb:Cold_War
Cold War era.
|
|
gptkbp:social_media_presence
|
gptkb:Strong
|
|
gptkbp:songwriters
|
gptkb:Poppy
|
|
gptkbp:sound
|
Energetic
Futuristic
|
|
gptkbp:soundtrack
|
gptkb:Arthur_B._Rubinstein
released on CD
released digitally
released on vinyl
|
|
gptkbp:starring
|
gptkb:John_Wood
gptkb:Dabney_Coleman
gptkb:Matthew_Broderick
gptkb:Ally_Sheedy
|
|
gptkbp:streaming_platforms
|
gptkb:Spotify
gptkb:Yes
|
|
gptkbp:tempo
|
Upbeat
|
|
gptkbp:theme
|
gptkb:technology
The consequences of technology.
The dangers of nuclear war.
The ethics of artificial intelligence.
Digital warfare
|
|
gptkbp:visual_effects
|
gptkb:John_Dykstra
|
|
gptkbp:vocalization
|
Singing
|
|
gptkbp:writer
|
gptkb:CFO$
gptkb:Lawrence_Lasker
gptkb:Walter_F._Parkes
gptkb:Poppy
|
|
gptkbp:written_by
|
gptkb:Lawrence_Lasker
gptkb:Walter_F._Parkes
|
|
gptkbp:bfsParent
|
gptkb:naval_warfare
gptkb:The_Four_Horsemen
gptkb:Matthew_Broderick
gptkb:Oracle
gptkb:Halo_3
gptkb:Halo_4
gptkb:Clone_Troopers
gptkb:Richard_H._Anderson
gptkb:WWE_Championship
|
|
gptkbp:bfsLayer
|
4
|