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gptkbp:instance_of
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gptkb:Concerto_for_Orchestra
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gptkbp:arrangements
|
for various ensembles
|
|
gptkbp:audience
|
well-received by audiences
|
|
gptkbp:characteristics
|
lyrical melodies
|
|
gptkbp:composer
|
gptkb:Sergei_Prokofiev
|
|
gptkbp:critical_reception
|
generally positive
|
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gptkbp:cultural_impact
|
influenced violin repertoire
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gptkbp:cultural_significance
|
important work in violin repertoire
|
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gptkbp:dedication
|
gptkb:David_Oistrakh
|
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gptkbp:duration
|
approximately 25 minutes
|
|
gptkbp:educational_use
|
studied by violin students
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gptkbp:first_performance
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gptkb:Paris
gptkb:David_Oistrakh
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gptkbp:historical_context
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composed during the 1930s
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Violin Concerto No. 2 in E major
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|
gptkbp:influenced_artists
|
later 20th-century composers
considered an influential work in the 20th century
|
|
gptkbp:influences
|
Russian folk music
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gptkbp:inspiration
|
Prokofiev's experiences in the Soviet Union
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|
gptkbp:key
|
E major
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|
gptkbp:movement
|
three
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|
gptkbp:music_style
|
sonata form
frequently analyzed in musicology
modern harmonic language
|
|
gptkbp:notable_conductors
|
gptkb:Eugène_Goossens
|
|
gptkbp:notable_performances
|
by various violinists
|
|
gptkbp:notable_recordings
|
by famous violinists
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|
gptkbp:opus_number
|
gptkb:63
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gptkbp:orchestration
|
solo violin and orchestra
|
|
gptkbp:performance
|
technical demands on soloist
|
|
gptkbp:performance_tradition
|
established performance tradition
|
|
gptkbp:performance_venue
|
concert halls worldwide
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|
gptkbp:premiere
|
gptkb:1935
|
|
gptkbp:published
|
gptkb:1935
|
|
gptkbp:record_label
|
multiple labels
|
|
gptkbp:recordings
|
numerous
extensive recording history
|
|
gptkbp:related_works
|
gptkb:Violin_Concerto_No._1_in_D_major
|
|
gptkbp:second_movement
|
gptkb:Allegro_moderato
gptkb:Andante
Allegro, ben marcato
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|
gptkbp:style
|
gptkb:Neoclassicism
|
|
gptkbp:theme
|
contrast between soloist and orchestra
|
|
gptkbp:bfsParent
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gptkb:Henri_Vieuxtemps
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gptkbp:bfsLayer
|
6
|