Statements (60)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:adaptations |
adapted for film scores
|
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:artistic_influence |
influenced by African music traditions
|
| gptkbp:artistic_legacy |
part of Steve Reich's legacy as a composer.
|
| gptkbp:audience |
often elicits strong emotional responses
|
| gptkbp:available_formats |
available in score format
|
| gptkbp:collaborations |
collaborated with various musicians
|
| gptkbp:composer |
gptkb:Steve_Reich
Evan Chambers |
| gptkbp:critical_reception |
generally well-received by critics
|
| gptkbp:cultural_impact |
has had a lasting impact on modern music
|
| gptkbp:cultural_references |
referenced in various media
|
| gptkbp:cultural_significance |
explores themes of time and memory
|
| gptkbp:dedication |
dedicated to the memory of the composer’s father
|
| gptkbp:duration |
approximately 10 minutes
|
| gptkbp:educational_use |
used in music education
|
| gptkbp:famous_event |
featured in music festivals
|
| gptkbp:genre |
minimalism
contemporary classical |
| gptkbp:historical_context |
part of the minimalist movement in music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Vermont Counterpoint
|
| gptkbp:influenced_artists |
influenced electronic music
influenced contemporary composers |
| gptkbp:influenced_by |
influenced by traditional folk music
|
| gptkbp:influences |
gptkb:jazz
American folk music classical music |
| gptkbp:inspiration |
inspired by the landscape of Vermont
|
| gptkbp:instrumentation |
woodwind instruments
woodwind ensemble |
| gptkbp:motif |
utilizes recurring motifs throughout the piece
|
| gptkbp:music_style |
features complex rhythmic structures
follows a cyclical form |
| gptkbp:notable_collaborations |
collaborated with visual artists
|
| gptkbp:notable_feature |
use of tape loops
|
| gptkbp:notable_performance |
performed by various ensembles
|
| gptkbp:notable_performances |
performed by various orchestras worldwide
|
| gptkbp:notable_recordings |
recorded by various artists
|
| gptkbp:performance |
often includes improvisation
often performed by soloists and ensembles |
| gptkbp:performance_style |
characterized by precision and clarity
|
| gptkbp:performance_venue |
performed in concert halls globally
|
| gptkbp:premiere |
gptkb:1982
gptkb:1991 |
| gptkbp:publisher |
gptkb:C._F._Peters_Corporation
|
| gptkbp:record_label |
gptkb:Nonesuch_Records
|
| gptkbp:recording_artist |
performed by renowned musicians
|
| gptkbp:recordings |
available on various albums
|
| gptkbp:related_works |
gptkb:Different_Trains
|
| gptkbp:structure |
built on a series of interlocking patterns
|
| gptkbp:style |
polyphonic
postminimalism |
| gptkbp:technique |
uses phasing techniques
|
| gptkbp:thematic_element |
explores the relationship between nature and technology
|
| gptkbp:theme |
explores themes of solitude and reflection
|
| gptkbp:year |
gptkb:1982
|
| gptkbp:year_composed |
gptkb:1990
|
| gptkbp:bfsParent |
gptkb:Steve_Reich
|
| gptkbp:bfsLayer |
4
|