Statements (51)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:artwork
|
| gptkbp:art_movement |
gptkb:church
geometric abstraction |
| gptkbp:art_style |
lines
art for art's sake squares minimalism rectangles abstract expressionism spatial relationships color field painting concept of infinity widely studied in art history rejection of traditional aesthetics pure form non-objectivity post-revolutionary Russia dynamic symmetry universal language of shapes |
| gptkbp:artistic_influence |
gptkb:Russian_Constructivism
inspired future generations of artists influenced design and architecture redefined painting's purpose |
| gptkbp:artistic_legacy |
foundation for future abstract movements
remains a pivotal work in art history. |
| gptkbp:associated_with |
avant-garde art
|
| gptkbp:collection |
gptkb:The_State_Tretyakov_Gallery
|
| gptkbp:color |
black and white
|
| gptkbp:created_by |
gptkb:Kazimir_Malevich
|
| gptkbp:cultural_impact |
symbol of modern art
early 20th century Russia |
| gptkbp:dimensions |
100 x 80 cm
|
| gptkbp:exhibited_at |
The Last Futurist Exhibition of Paintings 0.10
|
| gptkbp:exhibition |
Kazimir Malevich: The Black Square and the White Rectangle
|
| gptkbp:historical_significance |
reflection of societal change
|
| https://www.w3.org/2000/01/rdf-schema#label |
Untitled (1917)
|
| gptkbp:influenced |
later abstract artists
|
| gptkbp:influenced_by |
gptkb:Russian_Revolution
|
| gptkbp:innovation |
new visual language
|
| gptkbp:inspired_by |
gptkb:sports_team
|
| gptkbp:location |
gptkb:Museum_of_Modern_Art
|
| gptkbp:medium |
gptkb:oil_on_canvas
|
| gptkbp:narrative_style |
between art and politics
|
| gptkbp:notable_for |
use of geometric forms
|
| gptkbp:part_of |
gptkb:Suprematist_movement
|
| gptkbp:significance |
pioneering work in abstract art
|
| gptkbp:style |
gptkb:Suprematism
|
| gptkbp:technique |
geometric abstraction
|
| gptkbp:year_created |
gptkb:1917
|
| gptkbp:bfsParent |
gptkb:Carroll_Dunham
|
| gptkbp:bfsLayer |
4
|