Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:literary_work
|
| gptkbp:associated_with |
gptkb:University_of_Cambridge
gptkb:University_of_Oxford the blending of genres theatrical innovations the patronage of the arts the exploration of humanism the use of soliloquies the development of character-driven narratives the rise of public theatres the emergence of the English Renaissance the establishment of literary criticism the evolution of comedy and tragedy the popularity of the stage the promotion of literary societies the rise of the playwright as a profession the use of prose and verse |
| gptkbp:contributed_to |
English drama
|
| gptkbp:declined_in |
Shakespeare's rise
|
| https://www.w3.org/2000/01/rdf-schema#label |
University Wits
|
| gptkbp:influenced |
gptkb:William_Shakespeare
|
| gptkbp:influenced_by |
gptkb:Italian_Renaissance
classical literature |
| gptkbp:is_active_in |
16th century
|
| gptkbp:known_for |
tragedies
complex characters historical plays development of blank verse |
| gptkbp:legacy |
influence on later playwrights
introduction of new themes cultural impact on Elizabethan England elevation of English literature establishment of professional theatre |
| gptkbp:notable_members |
gptkb:John_Lyly
gptkb:Christopher_Marlowe gptkb:Robert_Greene Thomas Nashe Thomas Lodge |
| gptkbp:produced |
gptkb:Doctor_Faustus
gptkb:The_Jew_of_Malta The Unfortunate Traveller Friar Bacon and Friar Bungay The Pinner of Wakefield |
| gptkbp:style |
dramatic irony
lyrical satirical rhetorical |
| gptkbp:bfsParent |
gptkb:Thomas_Kyd
|
| gptkbp:bfsLayer |
6
|