Statements (91)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:art_style |
Distinctive visual style.
|
| gptkbp:award |
gptkb:Venice_Film_Festival_Silver_Lion
|
| gptkbp:based_on |
gptkb:The_Tale_of_the_Heike
|
| gptkbp:character |
gptkb:Genjuro_Kanazawa
gptkb:Mitsuko Tōbei Ohama |
| gptkbp:character_development |
Deep character arcs.
|
| gptkbp:cinematography_by |
gptkb:Kazuo_Miyagawa
|
| gptkbp:color |
black and white
|
| gptkbp:critical_reception |
Highly acclaimed by critics.
|
| gptkbp:cultural_impact |
Significant impact on world cinema.
|
| gptkbp:cultural_significance |
Considered a classic of Japanese cinema.
|
| gptkbp:directed_by |
gptkb:Kenji_Mizoguchi
|
| gptkbp:distributor |
gptkb:Daiei_Film
|
| gptkbp:edited_by |
gptkb:Kiyoshi_Suzuki
|
| gptkbp:film_festival |
Screened at numerous film festivals.
|
| gptkbp:film_score |
Recognized for its haunting score.
|
| gptkbp:film_technique |
Innovative use of lighting.
Exploration of identity. Cultural commentary. Exploration of human nature. Visual storytelling. Use of long takes. Character-driven narrative. Cinematographic excellence. Symbolic imagery. Emphasis on atmosphere. Exploration of morality. Exploration of fate. Emotional resonance. Emotional depth. Philosophical undertones. Complex character interactions. Artistic vision. Cinematic innovation. Narrative complexity. Exploration of sacrifice. Historical accuracy. Layered storytelling. Critique of ambition. Cultural authenticity. Effective use of sound. Emphasis on tradition. Examination of desire. Examination of loss. Examination of love. Examination of the future. Examination of the human condition. Examination of the supernatural. Exploration of regret. Exploration of the past. Masterful composition. Reflection on society. Rich textures. Subtle performances. |
| gptkbp:genre |
gptkb:drama
|
| gptkbp:has_been_restored |
Available in restored editions.
|
| gptkbp:historical_context |
Set during the Sengoku period.
|
| gptkbp:home_media_release |
Released on DVD and Blu-ray.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Ugetsu (1953)
|
| gptkbp:influenced |
Horror genre.
Subsequent Japanese filmmakers. |
| gptkbp:influenced_by |
gptkb:Japanese_folklore
Western literature. |
| gptkbp:inspired_by |
gptkb:Ugetsu_Monogatari
|
| gptkbp:language |
gptkb:Japanese
|
| gptkbp:legacy |
Considered a masterpiece.
|
| gptkbp:music_by |
gptkb:Fumio_Hayasaka
|
| gptkbp:narrative_style |
Non-linear narrative.
|
| gptkbp:notable_scene |
The ghostly encounter in the moonlight.
The boat journey across the lake. The final confrontation with the wife. |
| gptkbp:plot |
A tale of love and war set in the 16th century.
|
| gptkbp:premiered_on |
gptkb:Venice_Film_Festival
|
| gptkbp:produced_by |
gptkb:Kōjiro_Hoshino
|
| gptkbp:release_date |
1953
|
| gptkbp:runtime |
96 minutes
|
| gptkbp:screenplay_by |
gptkb:Yoshikata_Yoda
|
| gptkbp:set_in |
gptkb:Japan
|
| gptkbp:starring |
gptkb:Machiko_Kyō
gptkb:Kinuyo_Tanaka gptkb:Eitarō_Ozawa gptkb:Masayuki_Mori |
| gptkbp:symbolism |
Rich in symbolism.
|
| gptkbp:themes |
Love and loss
War and its consequences Illusion vs reality |
| gptkbp:bfsParent |
gptkb:Ugetsu_Monogatari
|
| gptkbp:bfsLayer |
6
|