|
gptkbp:instance_of
|
gptkb:literary_work
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:John_Dos_Passos
gptkb:The_Big_Money
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:film
|
|
gptkbp:author
|
gptkb:John_Dos_Passos
|
|
gptkbp:capacity
|
gptkb:The_42nd_Parallel
gptkb:The_Big_Money
1919
|
|
gptkbp:cover_art
|
gptkb:Rockwell_Kent
|
|
gptkbp:critical_reception
|
acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:depicts
|
gptkb:historical_event
gptkb:American_history
gptkb:war
industrialization
social change
class struggle
individualism
collectivism
capitalism
urban life
|
|
gptkbp:genre
|
gptkb:novel
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
U. S. A. Trilogy
|
|
gptkbp:influenced
|
gptkb:church
gptkb:Beat_Generation
gptkb:New_Journalism
gptkb:political_organization
gptkb:comic_book
American literature
American poetry
postmodern literature
cultural criticism
social realism
literary modernism
American drama
narrative non-fiction
documentary fiction
|
|
gptkbp:influenced_by
|
gptkb:political_movement
|
|
gptkbp:isbn
|
978-0-15-118045-1
|
|
gptkbp:language
|
English
|
|
gptkbp:narrative_style
|
gptkb:church
|
|
gptkbp:notable_character
|
gptkb:Evelyn
gptkb:Marian_title
gptkb:Mac
gptkb:J._Ward_Moorehouse
|
|
gptkbp:number_of_volumes
|
gptkb:3
|
|
gptkbp:page_count
|
varies
|
|
gptkbp:published_by
|
gptkb:Harcourt_Brace
gptkb:1930
gptkb:1932
1936
|
|
gptkbp:series
|
gptkb:U._S._A.
|
|
gptkbp:setting
|
gptkb:United_States
|
|
gptkbp:style
|
experimental
|
|
gptkbp:theme
|
American society
|