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gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:art_style
|
stylized cinematography.
|
|
gptkbp:audience
|
widely acclaimed.
|
|
gptkbp:author
|
gptkb:G._K._Chesterton
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Original_Song
|
|
gptkbp:based_on
|
gptkb:play_by_Charles_Bennett
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|
gptkbp:box_office
|
$7 million
|
|
gptkbp:budget
|
$3 million
|
|
gptkbp:character_arc
|
protagonist's journey.
|
|
gptkbp:character_development
|
complex characters.
focuses on parental love and sacrifice
|
|
gptkbp:character_motivation
|
driven by love.
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|
gptkbp:character_relationships
|
explores family dynamics.
|
|
gptkbp:cinematography
|
gptkb:Robert_Burks
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:costume_design
|
gptkb:Edith_Head
|
|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:critical_analysis
|
examined for its themes.
|
|
gptkbp:critical_reception
|
generally positive
mixed reviews
|
|
gptkbp:criticism
|
analyzed for its direction.
|
|
gptkbp:cultural_impact
|
considered a classic
considered a classic.
inspired various parodies and references in popular culture
|
|
gptkbp:cultural_references
|
referenced in popular culture.
|
|
gptkbp:cultural_significance
|
analyzed in film studies.
influenced future filmmakers
considered a classic of suspense cinema
|
|
gptkbp:design
|
gptkb:Henry_Bumstead
notable for its use of location shooting
|
|
gptkbp:director
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:edited_by
|
gptkb:George_Tomasini
|
|
gptkbp:editing
|
gptkb:George_Tomasini
|
|
gptkbp:famous_quote
|
gptkb:Que_Sera,_Sera_(Whatever_Will_Be,_Will_Be)
" Que Sera, Sera"
|
|
gptkbp:film_awards
|
nominated for Academy Awards.
|
|
gptkbp:film_editing
|
gptkb:George_Tomasini
gptkb:Academy_Award_nomination
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
Cannes 1956.
|
|
gptkbp:film_length
|
120 minutes
|
|
gptkbp:film_score
|
iconic.
notable for its orchestration
|
|
gptkbp:film_technique
|
gptkb:The_39_Steps
innovative.
inspired filmmakers.
uses suspense effectively.
many directors in the suspense genre
|
|
gptkbp:filmography
|
studied in film courses.
|
|
gptkbp:genre
|
gptkb:mystery
gptkb:thriller
|
|
gptkbp:has_cameo
|
Alfred Hitchcock's cameo appearance
Hitchcock's cameo appearance
cameo by Alfred Hitchcock
cameo by James Stewart
|
|
gptkbp:historical_context
|
Cold War era.
|
|
gptkbp:hitchcock_style
|
signature suspense.
|
|
gptkbp:home_media_release
|
DVD and Blu-ray
DVD and Blu-ray.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The man who knew too much
|
|
gptkbp:influenced
|
gptkb:popular_culture
thriller genre
film editing techniques
music in film
the thriller genre
Hitchcock's later works
subsequent thriller films.
subsequent suspense films
the use of music in suspense.
|
|
gptkbp:influenced_by
|
gptkb:The_man_who_knew_too_much_(1934)
Hitchcock's earlier works.
|
|
gptkbp:inspiration
|
real-life events
real-life events.
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
remains a classic.
influential in the thriller genre.
remains a significant work in Hitchcock's filmography
|
|
gptkbp:main_character
|
H. M. (the man)
|
|
gptkbp:music_by
|
gptkb:Bernard_Herrmann
|
|
gptkbp:music_composer
|
gptkb:Bernard_Herrmann
|
|
gptkbp:narrative_style
|
suspenseful.
|
|
gptkbp:notable_awards
|
BAFTA nominations
|
|
gptkbp:notable_quote
|
" Que Sera, Sera (Whatever Will Be, Will Be)"
|
|
gptkbp:notable_scene
|
The assassination at the concert.
The concert scene
Albert Hall concert scene
climactic chase scene
|
|
gptkbp:original_film_year
|
1934
|
|
gptkbp:plot
|
A couple becomes involved in an international assassination plot.
A couple becomes embroiled in an international plot after their daughter is kidnapped.
A family becomes embroiled in an international assassination plot.
|
|
gptkbp:plot_twist
|
unexpected developments.
|
|
gptkbp:premiere
|
gptkb:New_York_City
Cannes Film Festival.
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:published_in
|
gptkb:1922
|
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
|
gptkbp:release_date
|
October 24, 1956
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1956
|
|
gptkbp:remake
|
gptkb:1956
gptkb:The_Man_Who_Knew_Too_Much_(1956)
gptkb:The_man_who_knew_too_much_(1934)
gptkb:The_Man_Who_Knew_Too_Much_(1934)
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay
|
gptkb:John_Michael_Hayes
|
|
gptkbp:screenplay_by
|
gptkb:John_Michael_Hayes
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:soundtrack
|
gptkb:Academy_Award_nomination
Bernard Herrmann.
|
|
gptkbp:starring
|
gptkb:Doris_Day
gptkb:James_M._Stewart
|
|
gptkbp:theme
|
parental protection
|
|
gptkbp:themes
|
fear, family, and betrayal
parental love and sacrifice.
|
|
gptkbp:won_award
|
gptkb:1
|