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gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:awards
|
gptkb:Bavarian_Film_Award
gptkb:German_Film_Award
|
|
gptkbp:based_on
|
gptkb:Simulacron-3
|
|
gptkbp:cinematography_by
|
gptkb:Michael_Ballhaus
|
|
gptkbp:country
|
gptkb:Germany
|
|
gptkbp:directed_by
|
gptkb:Rainer_Werner_Fassbinder
|
|
gptkbp:edited_by
|
gptkb:Thea_E._M._von_Harbou
|
|
gptkbp:features
|
gptkb:Ulli_Lommel
gptkb:Mascha_Kaléko
gptkb:Rudolf_Schündler
gptkb:Gottfried_John
gptkb:Barbara_Valentin
gptkb:Kurt_Raab
gptkb:Rainer_Werner_Fassbinder
gptkb:Klaus_Löwitsch
|
|
gptkbp:follows
|
a computer simulation
|
|
gptkbp:genre
|
gptkb:science_fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The World on a Wire
|
|
gptkbp:influenced
|
gptkb:Inception
gptkb:The_Matrix
gptkb:Dark_City
|
|
gptkbp:influenced_by
|
cyberpunk
philosophy of simulation
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:music_by
|
gptkb:Peer_Raben
|
|
gptkbp:notable_for
|
its cultural impact
its critical acclaim
its narrative structure
its visual style
its philosophical themes
|
|
gptkbp:premiered_on
|
gptkb:Berlin_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Rainer_Werner_Fassbinder
|
|
gptkbp:release_year
|
gptkb:1973
|
|
gptkbp:runtime
|
220 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Rainer_Werner_Fassbinder
|
|
gptkbp:themes
|
gptkb:existentialism
gptkb:identity
gptkb:technology
reality
simulation theory
|
|
gptkbp:bfsParent
|
gptkb:Rainer_Werner_Fassbinder
|
|
gptkbp:bfsLayer
|
4
|