Statements (108)
Predicate | Object |
---|---|
gptkbp:instanceOf |
literary work
|
gptkbp:adaptation |
film adaptations
stage adaptations |
gptkbp:author |
gptkb:John_Webster
|
gptkbp:characteristics |
dark and complex
|
gptkbp:genre |
tragedy
|
https://www.w3.org/2000/01/rdf-schema#label |
The Works of John Webster
|
gptkbp:influenced |
gptkb:Harold_Pinter
gptkb:T.S._Eliot Jacobean drama |
gptkbp:language |
English
|
gptkbp:notableFeature |
gptkb:The_Betrayers
gptkb:Cardinal gptkb:The_Furies gptkb:Duke_Ferdinand gptkb:Livia gptkb:The_Cardinal's_Mistress The Allies The Angels Antonio The Rivals Isabella The Lovers The Duchess Giovanni The Witches The Saints The Demons The Heroes The Friends The Ghosts Francisco The Executioners The Madman The Lady The Soldiers The Villains The Sinners The Conspirators The Spirits The Witnesses The Judges The Servants The Enemies The Historical Figures The Martyrs The Legendary Figures The Victims Bosola Brachiano Flamineo The Aesthetic Figures The Aesthetic Icons The Allegorical Figures The Archetypal Figures The Artistic Icons The Comic Figures The Courtiers The Cultural Figures The Cultural Icons The Duchess's Children The Duke's Servants The Economic Figures The Economic Icons The Epistemological Figures The Epistemological Icons The Ethical Figures The Ethical Icons The Existential Figures The Existential Icons The Fictional Figures The Folkloric Figures The Ghost of the Duchess The Historical Icons The Literary Icons The Metaphysical Figures The Metaphysical Icons The Moral Figures The Moral Icons The Mythical Figures The Nobles The Ontological Figures The Ontological Icons The Philosophical Figures The Philosophical Icons The Political Figures The Political Icons The Psychological Figures The Psychological Icons The Social Figures The Social Icons The Spiritual Figures The Symbolic Figures The Tragic Figures Vittoria Corombona The_Peasants The_Executioner The_Accusers Piero The_Spiritual_Icons |
gptkbp:notableWork |
The Duchess of Malfi
The White Devil |
gptkbp:publishedBy |
17th century
|
gptkbp:setting |
gptkb:England
|
gptkbp:theme |
revenge
power corruption gender roles |