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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:radio_station
gptkb:theatrical_performances
gptkb:film
|
|
gptkbp:author
|
gptkb:Alexander_Chekhov
|
|
gptkbp:character_development
|
gptkb:Dmitri_Gurov
gptkb:Anna_Sergeyevna
|
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gptkbp:character_relationships
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Anna and her husband
Dmitri and Anna
Dmitri and his wife
|
|
gptkbp:characterized_by
|
complex characters
realistic portrayal
|
|
gptkbp:conflict
|
internal conflict
societal expectations
personal desires
external conflict
|
|
gptkbp:critical_reception
|
well-received
|
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gptkbp:cultural_impact
|
inspired other works
discussed in literary studies
|
|
gptkbp:ended
|
ambiguous
open-ended
|
|
gptkbp:genre
|
gptkb:short_story
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Woman with a Dog
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gptkbp:influence
|
modern literature
short story format
|
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gptkbp:influenced_by
|
realism
|
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gptkbp:language
|
gptkb:Russian
|
|
gptkbp:literary_devices
|
gptkb:dialogue
imagery
irony
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Dmitri_Gurov
gptkb:Anna_Sergeyevna
|
|
gptkbp:mood
|
gptkb:melancholic
reflective
|
|
gptkbp:moral
|
the nature of love
the search for happiness
the consequences of infidelity
|
|
gptkbp:motif
|
loneliness
escape
|
|
gptkbp:narrative_style
|
stream of consciousness
third-person
flashbacks
|
|
gptkbp:published_in
|
1899
The Russian Messenger
|
|
gptkbp:setting
|
gptkb:Yalta
early 20th century
|
|
gptkbp:style
|
subtle
concise
|
|
gptkbp:symbolism
|
gptkb:Yalta
gptkb:Dog
the sea
the city
|
|
gptkbp:theme
|
gptkb:social_class
gptkb:infidelity
love
|
|
gptkbp:viewpoint
|
omniscient
|
|
gptkbp:bfsParent
|
gptkb:Bonnard
gptkb:Julian_Opie
|
|
gptkbp:bfsLayer
|
4
|