Statements (45)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
painting
|
| gptkbp:artist |
gptkb:William_Holman_Hunt
|
| gptkbp:artwork |
gptkb:John_Everett_Millais
layering of paint influenced future artists recognized in art history praised for detail contributed to religious art |
| gptkbp:associatedWith |
Victorian values
|
| gptkbp:characteristics |
dramatic lighting
|
| gptkbp:collection |
Tate collection
|
| gptkbp:colors |
vibrant colors
|
| gptkbp:communicationEquipment |
grief and loss
|
| gptkbp:critical_reception |
well-received by critics
|
| gptkbp:culturalImpact |
inspired modern interpretations
|
| gptkbp:culturalSignificance |
represents women's roles in faith
|
| gptkbp:depicts |
Mary_at_the_crucifixion
|
| gptkbp:dimensions |
76.2 cm × 101.6 cm
|
| gptkbp:exhibits |
emotional depth
featured in multiple exhibitions Pre-Raphaelite Exhibition 2005 |
| gptkbp:historicalContext |
19th century England
Pre-Raphaelite movement |
| gptkbp:historicalSignificance |
reflects societal views on women
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Woman at the Cross
|
| gptkbp:influence |
gptkb:Christian_art
|
| gptkbp:influenced |
later religious artworks
|
| gptkbp:influencedBy |
Renaissance_art
|
| gptkbp:inspiration |
Gospel of John
literary works |
| gptkbp:location |
gptkb:Tate_Britain
|
| gptkbp:medium |
oil on canvas
|
| gptkbp:movement |
Pre-Raphaelite Brotherhood
|
| gptkbp:notableFeature |
emotional expression
depiction of emotion |
| gptkbp:partOf |
Tate_Britain_collection
|
| gptkbp:represents |
female perspective in religion
|
| gptkbp:significance |
depicts a biblical scene
|
| gptkbp:style |
Victorian art
symbolism and realism |
| gptkbp:subject |
gptkb:Mary_Magdalene
|
| gptkbp:symbolism |
faith and devotion
|
| gptkbp:technique |
realism
|
| gptkbp:theme |
suffering and redemption
|
| gptkbp:yearEstablished |
1900
|