gptkbp:instance_of
|
gptkb:art_exhibition
|
gptkbp:artwork
|
gptkb:Drawings
Paintings
Prints
Sculptures
|
gptkbp:attendance
|
gptkb:High
|
gptkbp:curator
|
gptkb:Julian_Levy
|
gptkbp:exhibition
|
gptkb:television_series
gptkb:music_festival
Hopper's ' Nighthawks' (not displayed but influential)
O' Keeffe's ' Black Iris' (not displayed but influential)
Marin's ' The Sea' (not displayed but influential)
|
gptkbp:focus
|
American art
|
gptkbp:followed_by
|
gptkb:Whitney_Biennial_1934
|
gptkbp:historical_context
|
gptkb:Great_Depression
Cultural shift in the 1930s
Rise of American modernism
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Whitney Biennial 1932
|
gptkbp:influenced_by
|
gptkb:European_modernism
American regionalism
|
gptkbp:is_a_venue_for
|
gptkb:Borough
|
gptkbp:legacy
|
Set a precedent for future exhibitions
Promoted modern art in America
Influenced future biennials
Encouraged diversity in art styles
Established a platform for American artists
|
gptkbp:location
|
gptkb:Whitney_Museum_of_American_Art
|
gptkbp:notable_artists
|
gptkb:Georgia_O'_Keeffe
gptkb:John_Marin
gptkb:Charles_Sheeler
gptkb:Edward_Hopper
gptkb:Charles_Demuth
|
gptkbp:organizer
|
gptkb:Whitney_Museum_of_American_Art
|
gptkbp:part_of
|
gptkb:Whitney_Biennial
|
gptkbp:preceded_by
|
gptkb:Whitney_Biennial_1931
|
gptkbp:significance
|
First biennial exhibition in the United States
|
gptkbp:theme
|
gptkb:church
|
gptkbp:year
|
gptkb:1932
|
gptkbp:bfsParent
|
gptkb:Whitney_Museum_of_American_Art,_Inc.
|
gptkbp:bfsLayer
|
5
|