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gptkbp:instance_of
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gptkb:play
|
|
gptkbp:adaptation
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gptkb:The_Provoked_Wife
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|
gptkbp:adapted_into
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gptkb:film_adaptation
|
|
gptkbp:audience
|
popular among audiences
|
|
gptkbp:character_arc
|
Miss Prue's growth
Sir John's downfall
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|
gptkbp:character_development
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Lady Brute's transformation
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gptkbp:character_relationships
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Sir John and Lady Brute's marriage
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|
gptkbp:critical_reception
|
mixed reviews
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gptkbp:cultural_impact
|
reflected societal norms
|
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gptkbp:director
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gptkb:David_Garrick
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gptkbp:famous_quote
|
" I am a woman, and I will be heard!"
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gptkbp:first_performance
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1698
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gptkbp:genre
|
gptkb:comedy
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gptkbp:historical_context
|
post-Restoration England
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|
https://www.w3.org/2000/01/rdf-schema#label
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The Unfortunate Lady
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gptkbp:influence
|
gptkb:Restoration_comedy
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gptkbp:influenced
|
later comedies
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gptkbp:influenced_by
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gptkb:Molière
Congreve
Wycherley
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|
gptkbp:inspired
|
modern playwrights
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gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic
studied in literature courses
adapted for television
performed in theatre festivals
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|
gptkbp:music_style
|
farce
|
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gptkbp:notable_character
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gptkb:Sir_John_Brute
gptkb:Lady_Brute
gptkb:Miss_Prue
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gptkbp:notable_production
|
gptkb:Royal_Theatre
|
|
gptkbp:notable_scene
|
final confrontation
wedding scene
reveal of deception
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performance
|
performed in London
|
|
gptkbp:plot_point
|
deception and disguise
Lady Brute's schemes
Miss Prue's suitors
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|
gptkbp:published
|
1700
|
|
gptkbp:setting
|
gptkb:England
|
|
gptkbp:symbolism
|
foolishness of men
marriage as a social contract
women's agency
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|
gptkbp:thematic_element
|
class struggle
love and betrayal
gender roles
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gptkbp:theme
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gptkb:marriage
gptkb:social_class
gptkb:deception
|
|
gptkbp:written_by
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gptkb:John_Vanbrugh
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gptkbp:bfsParent
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gptkb:Anne_Finch
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gptkbp:bfsLayer
|
7
|