|
gptkbp:instance_of
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gptkb:ballet
|
|
gptkbp:art_style
|
gptkb:Frederick_Ashton
|
|
gptkbp:audience
|
well-received
emotional connection
|
|
gptkbp:based_on
|
The Two Pigeons (ballet)
|
|
gptkbp:character_appearance
|
gptkb:David_Walker
|
|
gptkbp:character_development
|
gptkb:fictional_character
gptkb:superhero
|
|
gptkbp:choreography
|
gptkb:Frederick_Ashton
|
|
gptkbp:collaborations
|
gptkb:Royal_Ballet
gptkb:David_Walker
|
|
gptkbp:created_by
|
gptkb:Frederick_Ashton
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced future productions
|
|
gptkbp:cultural_significance
|
British ballet heritage
|
|
gptkbp:duration
|
approximately 90 minutes
|
|
gptkbp:features
|
gptkb:ballet
|
|
gptkbp:filming_location
|
gptkb:Royal_Opera_House
|
|
gptkbp:focus
|
gptkb:military_conflict
relationships
|
|
gptkbp:historical_context
|
20th-century ballet
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Two Pigeons (2017 version)
|
|
gptkbp:influenced_by
|
French ballet tradition
|
|
gptkbp:influences
|
impressionism
romanticism
|
|
gptkbp:inspiration
|
Massenet's music
|
|
gptkbp:is_a_venue_for
|
gptkb:Royal_Opera_House
|
|
gptkbp:language
|
gptkb:ballet
|
|
gptkbp:legacy
|
important work in ballet repertoire
|
|
gptkbp:music_by
|
gptkb:Massenet
|
|
gptkbp:music_style
|
gptkb:musical_composition
gptkb:Frederick_Ashton
gptkb:pas_de_deux
neoclassical
expressive movement
classical ballet
group choreography
solo performances
storytelling through dance
new interpretations
classical technique
|
|
gptkbp:narrative_theme
|
love and betrayal
|
|
gptkbp:notable_performers
|
gptkb:Marianela_Nuñez
gptkb:Vadim_Muntagirov
|
|
gptkbp:performance
|
lyrical
dramatic
|
|
gptkbp:performed_by
|
gptkb:Royal_Ballet
|
|
gptkbp:premiered_on
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gptkb:1961
gptkb:2017
|
|
gptkbp:reunion
|
gptkb:2017
original 1961 production
|
|
gptkbp:set_in
|
gptkb:David_Walker
|
|
gptkbp:style
|
romantic ballet
|
|
gptkbp:thematic_element
|
nature
urban life
|
|
gptkbp:bfsParent
|
gptkb:Royal_Ballet_repertoire
|
|
gptkbp:bfsLayer
|
4
|