|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
|
|
gptkbp:author
|
gptkb:William_Shakespeare
|
|
gptkbp:character
|
gptkb:Diana
gptkb:Gower
gptkb:marina
gptkb:Antiochus
gptkb:Cleon
gptkb:Lysimachus
gptkb:Simonides
Bawd
Thaisa
|
|
gptkbp:cultural_impact
|
gptkb:film_adaptations
gptkb:literary_criticism
gptkb:theater_productions
cultural references
thematic studies
modern adaptations
television adaptations
performed worldwide
inspired adaptations
musical adaptations
artistic interpretations
influenced literature
radio adaptations
educational use
scholarly analysis
influenced theater
thematic explorations
historical context studies
performance history
historical adaptations
critical interpretations
|
|
gptkbp:first_performance
|
1608
|
|
gptkbp:genre
|
gptkb:tragedy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Tragedy of Pericles, Prince of Tyre
|
|
gptkbp:influences
|
gptkb:Greek_mythology
gptkb:The_Bible
gptkb:The_Odyssey
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Pericles
|
|
gptkbp:notable_quote
|
What’s past is prologue.
|
|
gptkbp:published_in
|
1623
|
|
gptkbp:setting
|
gptkb:Ancient_Greece
|
|
gptkbp:structure
|
five acts
|
|
gptkbp:style
|
prose
blank verse
|
|
gptkbp:themes
|
gptkb:loss
gptkb:fate
redemption
|
|
gptkbp:bfsParent
|
gptkb:First_Folio
|
|
gptkbp:bfsLayer
|
5
|