Statements (31)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
altarpiece
|
| gptkbp:acquisition |
acquired_by_Kunstmuseum_Basel_in_1900
|
| gptkbp:artist |
gptkb:Caspar_David_Friedrich
|
| gptkbp:artMovement |
Romanticism
|
| gptkbp:artwork |
use of chiaroscuro
remains a subject of study |
| gptkbp:colors |
muted colors
|
| gptkbp:composedOf |
central_cross_with_landscape_background
|
| gptkbp:culturalImpact |
influenced later artists
|
| gptkbp:depicts |
the_crucifixion_of_Jesus
|
| gptkbp:dimensions |
120 cm × 100 cm
|
| gptkbp:exhibits |
exhibited in various museums
displayed in major art exhibitions |
| gptkbp:historicalContext |
early 19th century Germany
|
| gptkbp:historicalSignificance |
pivotal in the development of religious art
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Tetschen Altar
|
| gptkbp:influence |
German_Romantic_painting
|
| gptkbp:influenced |
contemporary religious art
|
| gptkbp:influencedBy |
Romantic ideals of nature
German_folklore |
| gptkbp:inspiredBy |
Christian_themes
|
| gptkbp:location |
gptkb:Kunstmuseum_Basel
|
| gptkbp:medium |
oil on canvas
|
| gptkbp:notableFeature |
dramatic lighting
|
| gptkbp:publicPerception |
well-received by critics
|
| gptkbp:relatedTo |
other_works_by_Caspar_David_Friedrich
|
| gptkbp:significance |
one of Friedrich's most important works
|
| gptkbp:style |
Romanticism
|
| gptkbp:symbolism |
nature and spirituality
|
| gptkbp:technique |
layering of paint
|
| gptkbp:yearEstablished |
1808
|