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gptkbp:instance_of
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gptkb:film
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gptkbp:awards
|
Academy Award nomination for Best Original Screenplay
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gptkbp:based_on
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The Stranger by Albert Camus
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gptkbp:box_office
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$1.2 million
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gptkbp:budget
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$1.5 million
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gptkbp:character
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gptkb:Professor_Franz_Kindler
gptkb:Detective_Wilson
Mary Rankin
Mr. Charles Rankin
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gptkbp:cinematography
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gptkb:Russell_Metty
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gptkbp:color
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black-and-white
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
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mixed reviews
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gptkbp:cultural_impact
|
considered a classic of American cinema
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gptkbp:director
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gptkb:Orson_Welles
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gptkbp:distributor
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gptkb:RKO_Radio_Pictures
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gptkbp:editor
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gptkb:Orson_Welles
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gptkbp:filming_location
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gptkb:Connecticut
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gptkbp:filmography
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gptkb:Orson_Welles
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gptkbp:genre
|
gptkb:High_School
gptkb:film
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The Stranger (film)
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gptkbp:influenced
|
neo-noir films
subsequent thriller films
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gptkbp:influenced_by
|
gptkb:German_Expressionism
film noir
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gptkbp:inspiration
|
gptkb:existentialism
gptkb:moral_ambiguity
post-World War II themes
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gptkbp:language
|
English
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gptkbp:legacy
|
studied in film schools
influenced filmmakers like Martin Scorsese
analyzed for its themes of identity and morality
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|
gptkbp:music
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gptkb:Bernard_Herrmann
|
|
gptkbp:notable_appearance
|
the final confrontation
the courtroom scene
the ending twist
the chase sequence
the reveal of Rankin's identity
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|
gptkbp:plot
|
A Nazi war criminal hides in a small town in Connecticut.
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|
gptkbp:production_company
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gptkb:RKO_Pictures
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gptkbp:release_date
|
1946
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gptkbp:release_format
|
theatrical release
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gptkbp:release_year
|
1946
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gptkbp:remake
|
gptkb:The_Stranger_(2020)
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gptkbp:runtime
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95 minutes
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gptkbp:screenings
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35mm
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gptkbp:screenplay_by
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gptkb:Orson_Welles
|
|
gptkbp:starring
|
gptkb:Orson_Welles
gptkb:Edward_G._Robinson
gptkb:Loretta_Young
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gptkbp:bfsParent
|
gptkb:The_Stranger
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|
gptkbp:bfsLayer
|
4
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