|
gptkbp:instance_of
|
gptkb:painting
gptkb:TV_series
gptkb:film_series
|
|
gptkbp:art_movement
|
gptkb:award
|
|
gptkbp:associated_with
|
gptkb:church
social commentary
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:challenges
|
viewer perceptions
|
|
gptkbp:cinematography
|
gptkb:Terry_Stacey
|
|
gptkbp:collection
|
art collections
British Museum collection
British art collections
|
|
gptkbp:composer
|
gptkb:Richard_Einhorn
|
|
gptkbp:conservation_efforts
|
gptkb:museum
conservation efforts
|
|
gptkbp:consists_of
|
four plates
|
|
gptkbp:context
|
art movements
|
|
gptkbp:contributed_to
|
artistic discourse
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_by
|
Francis Barlow
|
|
gptkbp:creator
|
gptkb:Charles_Méryon
gptkb:John_Mc_Naughton
|
|
gptkbp:critical_reception
|
controversial
|
|
gptkbp:cultural_impact
|
cult following
awareness of animal rights
|
|
gptkbp:depicted_in
|
art exhibitions
various media
art books
|
|
gptkbp:depicts
|
animal cruelty
violence against animals
|
|
gptkbp:dimensions
|
varies
|
|
gptkbp:distributor
|
gptkb:Vestron_Pictures
|
|
gptkbp:editor
|
gptkb:John_Mc_Naughton
|
|
gptkbp:evokes
|
emotional responses
|
|
gptkbp:examines
|
gptkb:literary_work
gptkb:art_historians
critical theory
art theory
art critiques
|
|
gptkbp:exhibited_at
|
gptkb:British_Museum
gptkb:Salon_of_1857
|
|
gptkbp:exhibition
|
gptkb:art_gallery
animal rights exhibitions
|
|
gptkbp:features
|
multiple panels
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:follows
|
gptkb:Henry:_Portrait_of_a_Serial_Killer
|
|
gptkbp:genre
|
gptkb:film
|
|
gptkbp:has_influence_on
|
animal rights movement
|
|
gptkbp:has_theme
|
suffering
|
|
gptkbp:historical_context
|
19th century France
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Stages of Cruelty
|
|
gptkbp:influence
|
utilitarianism
|
|
gptkbp:influenced
|
gptkb:film
later artists
|
|
gptkbp:influenced_artists
|
gptkb:Francisco_Goya
animal rights literature
|
|
gptkbp:influenced_by
|
gptkb:church
gptkb:comic_book
gptkb:Goya
gptkb:film
social issues
human behavior
social commentary
psychological horror
moral dilemmas
thrillers
dark humor
documentary filmmaking
real-life serial killers
slasher films
art house films
grindhouse cinema
character-driven narratives
crime dramas
character studies
|
|
gptkbp:inspired
|
animal rights movement
|
|
gptkbp:inspired_by
|
true crime stories
personal experiences of cruelty
|
|
gptkbp:is_analyzed_in
|
symbolism
animal ethics
art history studies
art studies
|
|
gptkbp:is_celebrated_in
|
gptkb:artwork
|
|
gptkbp:is_challenged_by
|
modern interpretations
|
|
gptkbp:is_chronicled_in
|
art history books
|
|
gptkbp:is_cited_in
|
academic papers
|
|
gptkbp:is_considered
|
a critique of society
a reflection of its time
|
|
gptkbp:is_considered_as
|
gptkb:art_historians
a moral lesson
|
|
gptkbp:is_criticized_for
|
society's treatment of animals
|
|
gptkbp:is_discussed_in
|
gptkb:philosopher
academic papers
art movements
art forums
|
|
gptkbp:is_explored_in
|
cultural studies
philosophical lenses
|
|
gptkbp:is_featured_in
|
gptkb:documentaries
exhibitions
|
|
gptkbp:is_influenced_by
|
Renaissance art
|
|
gptkbp:is_linked_to
|
gptkb:historical_event
|
|
gptkbp:is_noted_for
|
emotional impact
|
|
gptkbp:is_recognized_by
|
gptkb:literary_work
art institutions
important work
historically significant work
|
|
gptkbp:is_referenced_in
|
critics
literature on ethics
|
|
gptkbp:is_reflected_in
|
societal values
|
|
gptkbp:is_related_to
|
The Cruelty of Man
|
|
gptkbp:is_subject_to
|
art critiques
|
|
gptkbp:is_used_for
|
a teaching tool
|
|
gptkbp:is_used_in
|
educational contexts
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Francis Barlow's work
|
|
gptkbp:located_in
|
gptkb:Borough
|
|
gptkbp:location
|
gptkb:Monarch
|
|
gptkbp:medium
|
gptkb:painting
gptkb:oil_on_canvas
|
|
gptkbp:narrative_style
|
gptkb:artwork
|
|
gptkbp:notable_appearance
|
gptkb:book
psychological tension
murder sequences
|
|
gptkbp:notable_character
|
gptkb:Heather_Graham
gptkb:Michael_Rooker
gptkb:Tom_Towles
|
|
gptkbp:notable_for
|
depiction of violence
|
|
gptkbp:notable_work
|
gptkb:Charles_Méryon
|
|
gptkbp:part_of
|
art history
|
|
gptkbp:published_by
|
1857
|
|
gptkbp:rating
|
NC-17
|
|
gptkbp:related_to
|
social commentary
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
|
|
gptkbp:release_year
|
gptkb:1990
|
|
gptkbp:represents
|
suffering of animals
|
|
gptkbp:runtime
|
83 minutes
|
|
gptkbp:sequel
|
Henry: Portrait of a Serial Killer 2
|
|
gptkbp:series
|
The Stages of Cruelty series
|
|
gptkbp:style
|
gptkb:award
gptkb:Baroque
|
|
gptkbp:subject
|
gptkb:documentaries
animal ethics
art and morality
|
|
gptkbp:symbolizes
|
humanity's moral failings
|
|
gptkbp:technique
|
intaglio
|
|
gptkbp:theme
|
animal cruelty
|
|
gptkbp:themes
|
gptkb:psychologist
morality
violence
|
|
gptkbp:title
|
The Fourth Stage
The Third Stage
|
|
gptkbp:title_holder
|
gptkb:The_Second_Stage
The First Stage
|
|
gptkbp:work
|
gptkb:4
|
|
gptkbp:year_created
|
c. 1650
|
|
gptkbp:bfsParent
|
gptkb:mythological_figure
|
|
gptkbp:bfsLayer
|
3
|