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gptkbp:instance_of
|
gptkb:Ariane_5
gptkb:novel
|
|
gptkbp:adaptations
|
various adaptations in different languages
|
|
gptkbp:audience
|
varied over time
|
|
gptkbp:author
|
gptkb:Catherine_Crowe
|
|
gptkbp:based_on
|
poem by Karel Jaromír Erben
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|
gptkbp:character_arc
|
The Bride's transformation
The Spectre's tragic fate
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|
gptkbp:character_relationships
|
complex dynamics
|
|
gptkbp:composer
|
gptkb:Antonín_Dvořák
|
|
gptkbp:critical_reception
|
generally positive
|
|
gptkbp:cultural_impact
|
inspired local artists
|
|
gptkbp:cultural_references
|
Czech literature
|
|
gptkbp:cultural_significance
|
part of Czech national heritage
|
|
gptkbp:director
|
various stage directors
|
|
gptkbp:duration
|
approximately 90 minutes
|
|
gptkbp:first_performance
|
1884
|
|
gptkbp:genre
|
gptkb:opera
gothic fiction
|
|
gptkbp:historical_context
|
19th century Czech nationalism
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Spectre's Bride
|
|
gptkbp:influence_on
|
Czech opera repertoire
|
|
gptkbp:influenced
|
later Czech composers
|
|
gptkbp:influenced_by
|
gptkb:Romanticism
|
|
gptkbp:influences
|
European opera traditions
|
|
gptkbp:inspiration
|
Czech folklore
|
|
gptkbp:language
|
gptkb:Czech
English
|
|
gptkbp:librettist
|
gptkb:Eliška_Krásnohorská
|
|
gptkbp:main_character
|
Lady Ellen
|
|
gptkbp:music_style
|
use of motifs
aria and recitative
|
|
gptkbp:musical_elements
|
rich harmonies
melodic lines
|
|
gptkbp:notable_aria
|
The Bride's aria
|
|
gptkbp:notable_character
|
gptkb:The_Bride
gptkb:The_Spectre
|
|
gptkbp:notable_conductors
|
various conductors
|
|
gptkbp:notable_moment
|
emotional climaxes
|
|
gptkbp:notable_performers
|
various opera singers
|
|
gptkbp:orchestration
|
gptkb:orchestra
|
|
gptkbp:part_of
|
gptkb:Dvořák's_operatic_works
|
|
gptkbp:performance
|
performed regularly since premiere
|
|
gptkbp:performance_style
|
traditional opera
|
|
gptkbp:performance_venue
|
operatic stages worldwide
|
|
gptkbp:performed_in
|
gptkb:theater
|
|
gptkbp:premiere_location
|
gptkb:National_Theatre,_Prague
|
|
gptkbp:published_in
|
1850
|
|
gptkbp:recordings
|
multiple recordings
|
|
gptkbp:scholarly_analysis
|
studied in musicology
|
|
gptkbp:setting
|
gptkb:England
Czech countryside
|
|
gptkbp:style
|
lyrical
dramatic
|
|
gptkbp:symbolism
|
death as a release
love as a haunting force
|
|
gptkbp:thematic_element
|
conflict between love and duty
exploration of mortality
|
|
gptkbp:theme
|
gptkb:death
love
supernatural
|
|
gptkbp:themes
|
gptkb:death
love
supernatural
|
|
gptkbp:bfsParent
|
gptkb:Dvorak
gptkb:Antonín_Dvořák
|
|
gptkbp:bfsLayer
|
5
|