Statements (81)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_movement
|
| gptkbp:advocated_for |
revolutionary change
the liberation of everyday life the right to the city. the importance of experience. the integration of art and life. the liberation of desire. the transformation of everyday life. |
| gptkbp:aims_to_improve |
the idea of play.
the idea of the 'dérive'. the idea of the 'situation'. the idea of the 'unitary urbanism'. |
| gptkbp:are_known_for |
their collective identity.
their collective actions. their emphasis on spontaneity. their provocative ideas. their radical aesthetics. their radical critiques of society. their radical critiques. their radical pamphlets. their radical political stance. their use of irony. |
| gptkbp:are_part_of |
the avant-garde.
|
| gptkbp:associated_with |
spectacle
psychogeography dérive |
| gptkbp:belief |
the critique of everyday life.
|
| gptkbp:declined_in |
traditional art forms
|
| gptkbp:developed_by |
the concept of 'psychogeography'.
|
| gptkbp:dissolved |
gptkb:1972
|
| gptkbp:emphasizes |
the importance of play
|
| gptkbp:founded |
gptkb:1957
|
| gptkbp:had_a_journal_called |
Internationale Situationniste.
|
| gptkbp:has_impact_on |
the counterculture.
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Situationists
|
| gptkbp:influenced |
gptkb:postmodernism
gptkb:May_1968_protests contemporary art movements social movements. |
| gptkbp:inspired |
situationist art
|
| gptkbp:is_active_in |
the 1960s.
|
| gptkbp:is_challenged_by |
the status quo.
the boundaries of art. the norms of society. |
| gptkbp:is_critical_for |
the art market.
capitalism. the commodification of art. the separation of art and life. |
| gptkbp:is_criticized_for |
consumer society
|
| gptkbp:is_influential_in |
the development of critical theory.
|
| gptkbp:is_inspired_by |
Surrealism.
|
| gptkbp:is_sought_after_by |
a new consciousness.
a new form of art. a new form of engagement. a new form of social organization. new forms of social relations. situations. transform society. |
| gptkbp:key_figures |
gptkb:Asger_Jorn
gptkb:Guy_Debord gptkb:Raoul_Vaneigem |
| gptkbp:originated_in |
gptkb:France
|
| gptkbp:promoted |
the idea of 'the spectacle'.
the idea of the 'unitary urbanism'. |
| gptkbp:published |
gptkb:The_Society_of_the_Spectacle
|
| gptkbp:sought_to_expose |
the alienation in modern life.
|
| gptkbp:sought_to_reclaim |
public spaces.
|
| gptkbp:technique |
art and politics
|
| gptkbp:utilized |
art as a means of critique.
|
| gptkbp:was_influenced_by |
Marxism.
|
| gptkbp:was_involved_in |
the radical left.
the critique of capitalism. the critique of modernity. artistic and political activism. the critique of consumer culture. the critique of spectacle. the critique of the spectacle. the critique of urban life. the critique of urbanism. |
| gptkbp:bfsParent |
gptkb:Dread_Scott
|
| gptkbp:bfsLayer |
6
|