Statements (51)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:adaptation |
gptkb:television_series
gptkb:radio_station gptkb:graphic_novel gptkb:theater gptkb:film |
| gptkbp:author |
gptkb:Oscar_Wilde
|
| gptkbp:character_development |
Basil's obsession
Dorian's transformation Lord Henry's influence |
| gptkbp:conflict |
internal conflict
moral conflict |
| gptkbp:critical_reception |
controversial
celebrated |
| gptkbp:cultural_impact |
influenced fashion
influenced literature influenced visual arts influenced film influenced music |
| gptkbp:genre |
philosophical fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Sins of Dorian Gray
|
| gptkbp:influence |
gptkb:popular_culture
modern literature |
| gptkbp:inspiration |
artistic expression
philosophical debate Dorian Gray syndrome |
| gptkbp:literary_significance |
critique of society
reflection on art and life exploration of duality examination of identity |
| gptkbp:main_character |
gptkb:Basil_Hallward
gptkb:Dorian_Gray gptkb:Lord_Henry_Wotton |
| gptkbp:moral |
consequences of vanity
danger of hedonism importance of the soul |
| gptkbp:narrative_style |
third-person
|
| gptkbp:notable_quote |
The only way to get rid of a temptation is to yield to it.
To define is to limit. Experience is merely the name men gave to their mistakes. |
| gptkbp:published |
1890
|
| gptkbp:setting |
gptkb:Victorian_London
|
| gptkbp:symbolism |
gptkb:youth
gptkb:portrait beauty decay |
| gptkbp:theme |
morality
aesthetics hedonism |
| gptkbp:bfsParent |
gptkb:Liz_Sagal
|
| gptkbp:bfsLayer |
6
|