|
gptkbp:instance_of
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gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Marlene_Dietrich
|
|
gptkbp:art_style
|
gptkb:Hans_Dreier
|
|
gptkbp:based_on
|
gptkb:Catherine_the_Great
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character_appearance
|
gptkb:Travis_Banton
|
|
gptkbp:cinematography
|
gptkb:James_Wong_Howe
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:depicts
|
gptkb:Catherine_II_of_Russia
|
|
gptkbp:directed_by
|
gptkb:Josef_von_Sternberg
|
|
gptkbp:edited_by
|
Charles Nelson
|
|
gptkbp:features
|
lavish sets
costume drama elements
|
|
gptkbp:filmography
|
Charles Nelson
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|
gptkbp:genre
|
gptkb:archaeological_site
|
|
gptkbp:has_theme
|
gptkb:church
gptkb:historical_event
gptkb:political_movement
gptkb:betrayal
gptkb:political_intrigue
gptkb:Monarch
gptkb:archaeological_site
gptkb:historical_figure
gptkb:book
gptkb:artwork
gptkb:organization
cultural representation
female empowerment
cinematic techniques
feminist themes
ambition
character arcs
love and sacrifice
visual storytelling
cinematic style
romanticism
historical accuracy
court politics
feminine strength
historical interpretation
cultural critique
cinematic history
dramatic tension
sexual politics
historical drama conventions
power and seduction
historical drama aesthetics
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Scarlet Empress (film)
|
|
gptkbp:influenced
|
later historical films
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Hans_Eisler
|
|
gptkbp:notable_for
|
Marlene Dietrich's performance
|
|
gptkbp:produced_by
|
gptkb:Paramount_Pictures
|
|
gptkbp:release_date
|
December 1934
|
|
gptkbp:released
|
1934
|
|
gptkbp:runtime
|
104 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Joseph_von_Sternberg
|
|
gptkbp:set_in
|
gptkb:Russia
|
|
gptkbp:starring
|
gptkb:John_Lodge
gptkb:Sam_Jaffe
gptkb:Marlene_Dietrich
|