gptkbp:instance_of
|
gptkb:film
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:WWE:_The_Best_of_the_80s
|
gptkbp:artist
|
gptkb:Rick_Baker
|
gptkbp:aspect_ratio
|
1.85:1
|
gptkbp:box_office
|
$500,000
|
gptkbp:budget
|
$3 million
|
gptkbp:character
|
gptkb:Otto
gptkb:The_Repo_Man
Bud
Leila
|
gptkbp:character_development
|
Otto's transformation
|
gptkbp:cinematography
|
gptkb:Robbie_Müller
|
gptkbp:color
|
gptkb:color
|
gptkbp:critical_reception
|
Mixed to positive
|
gptkbp:cultural_impact
|
Influenced other films
|
gptkbp:design
|
gptkb:Catherine_Hardwicke
|
gptkbp:director
|
gptkb:Alex_Cox
|
gptkbp:distributor
|
gptkb:Universal_Pictures
|
gptkbp:editor
|
Dennis Virkler
|
gptkbp:film_festival
|
gptkb:film_festival
|
gptkbp:filming_location
|
gptkb:California
|
gptkbp:filmography
|
92 minutes
|
gptkbp:genre
|
gptkb:musical
gptkb:Author
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:collection
gptkb:film
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Repo Man
|
gptkbp:influenced
|
Subsequent films about repossession.
|
gptkbp:influenced_by
|
B-movies
film noir
|
gptkbp:influences
|
punk culture
|
gptkbp:inspiration
|
real-life repo men
|
gptkbp:is_worshipped_by
|
gptkb:battle
|
gptkbp:language
|
English
|
gptkbp:legacy
|
Cult classic status
|
gptkbp:music_by
|
gptkb:Crispin_Glover
|
gptkbp:notable_quote
|
“ The life of a repo man is always intense.”
|
gptkbp:plot
|
A young punk becomes a repo man and gets caught up in a world of crime.
|
gptkbp:production_company
|
Nuclear Entertainment
|
gptkbp:rating
|
gptkb:R
|
gptkbp:release_format
|
Theatrical
|
gptkbp:release_year
|
gptkb:1984
|
gptkbp:remake
|
gptkb:battle
|
gptkbp:screenplay_by
|
gptkb:Alex_Cox
|
gptkbp:sequel
|
gptkb:battle
|
gptkbp:setting
|
gptkb:Los_Angeles
|
gptkbp:soundtrack
|
gptkb:Various_Artists
|
gptkbp:starring
|
gptkb:Emilio_Estevez
gptkb:Harry_Dean_Stanton
|
gptkbp:symbolism
|
Repo men as societal outcasts
|
gptkbp:themes
|
gptkb:TV_series
gptkb:Rebellion
Consumerism
Alienation
|
gptkbp:visual_effects
|
gptkb:John_Dykstra
|