Statements (52)
Predicate | Object |
---|---|
gptkbp:instanceOf |
artwork
|
gptkbp:acquisition |
1939
|
gptkbp:artMovement |
Modern art
|
gptkbp:artwork |
gptkb:Spanish
1881 1973 Analytic Cubism Influence on future generations of artists Use of color theory Layering of paint Significant in art history Innovative use of perspective Everyday objects Symbol of modernism Widely recognized masterpiece Exploration of form and color Pioneering work in abstract art collage elements Expression of modern life Influenced later abstract artists Narrative of modernity Open to various interpretations Philosophy of abstraction Redefining still life Relevant in contemporary art discussions Vision of a new artistic language |
gptkbp:collection |
MoMA Collection
|
gptkbp:colors |
red and brown
|
gptkbp:createdBy |
gptkb:Pablo_Picasso
|
gptkbp:culturalHeritage |
gptkb:European_avant-garde
Context of early 20th-century art movements |
gptkbp:dimensions |
100 cm × 81 cm
|
gptkbp:exhibits |
gptkb:Museum_of_Modern_Art
Exhibited in various galleries |
gptkbp:features |
geometric shapes
|
gptkbp:historicalContext |
Post-World War I era
|
https://www.w3.org/2000/01/rdf-schema#label |
The Red and Brown Table
|
gptkbp:influenced |
gptkb:Georges_Braque
|
gptkbp:influencedBy |
African_art
|
gptkbp:inspiredBy |
still life tradition
|
gptkbp:location |
gptkb:Museum_of_Modern_Art
|
gptkbp:medium |
oil on canvas
|
gptkbp:notableFeature |
fragmented forms
|
gptkbp:owner |
gptkb:Museum_of_Modern_Art,_New_York
|
gptkbp:relatedPatent |
gptkb:Les_Demoiselles_d'Avignon
|
gptkbp:significance |
example of early 20th-century modernism
|
gptkbp:style |
Cubism
Synthetic Cubism Engagement with viewers Dialogue with traditional art forms |
gptkbp:technique |
brushwork
|
gptkbp:yearEstablished |
1914
|