The Portrait of Daniel-Henry Kahnweiler
GPTKB entity
Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Pablo_Picasso
|
| gptkbp:acquisition |
gift from the artist to the museum
|
| gptkbp:artist |
gptkb:Pablo_Picasso
|
| gptkbp:characteristics |
gptkb:painting
|
| gptkbp:collection |
Mo MA Collection
|
| gptkbp:color |
muted colors
|
| gptkbp:cultural_significance |
represents the relationship between artist and patron
|
| gptkbp:depicted_in |
in major exhibitions worldwide
|
| gptkbp:depicts |
a seated man
|
| gptkbp:dimensions |
100 cm × 81 cm
|
| gptkbp:examines |
in art theory discussions
|
| gptkbp:exhibited_at |
gptkb:1911_Salon_d'_Automne
|
| gptkbp:exhibition |
Pablo Picasso: The Artist and His Models
|
| gptkbp:features |
fragmented forms
|
| gptkbp:has |
analyzed in art history courses
|
| gptkbp:has_influence_on |
the development of abstract art
|
| gptkbp:historical_significance |
early 20th century art movements
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Portrait of Daniel-Henry Kahnweiler
|
| gptkbp:influence |
Modern art
|
| gptkbp:influenced |
subsequent portraiture in modern art
|
| gptkbp:influenced_by |
gptkb:Paul_Cézanne
|
| gptkbp:inspired |
future generations of artists
|
| gptkbp:inspired_by |
Daniel-Henry Kahnweiler's support for Picasso
|
| gptkbp:is_analyzed_in |
by art critics
|
| gptkbp:is_associated_with |
the rise of modernism
|
| gptkbp:is_celebrated_in |
for its artistic innovation
|
| gptkbp:is_cited_in |
numerous art publications
|
| gptkbp:is_considered |
a masterpiece of modern art
a defining work of the 20th century a reflection of the artist's style |
| gptkbp:is_featured_in |
art documentaries
|
| gptkbp:is_influential_in |
in the study of Cubism
|
| gptkbp:is_part_of |
the permanent collection of Mo MA
the dialogue between art and commerce the discourse on identity in art |
| gptkbp:is_recognized_by |
for its historical importance
as a pivotal work in Picasso's career |
| gptkbp:is_referenced_in |
in art critiques.
|
| gptkbp:is_respected_by |
among art historians
|
| gptkbp:is_studied_in |
in academic settings
|
| gptkbp:is_valued_for |
for its contribution to art history
|
| gptkbp:location |
gptkb:Museum_of_Modern_Art,_New_York
|
| gptkbp:medium |
gptkb:oil_on_canvas
|
| gptkbp:movement |
gptkb:sports_team
|
| gptkbp:notable_for |
its innovative approach to portraiture
depiction of a prominent art dealer |
| gptkbp:part_of |
gptkb:Cubist_movement
|
| gptkbp:represents |
the avant-garde art scene
|
| gptkbp:significance |
one of the key works of Cubism
|
| gptkbp:style |
gptkb:sports_team
|
| gptkbp:subject |
gptkb:Daniel-Henry_Kahnweiler
|
| gptkbp:symbolizes |
the intellectual elite of the time
|
| gptkbp:technique |
gptkb:analytic_cubism
|
| gptkbp:year_created |
1910
|