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gptkbp:instance_of
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gptkb:theatrical_performances
|
|
gptkbp:adapted_into
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gptkb:short_stories
gptkb:novels
gptkb:film
|
|
gptkbp:associated_with
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gptkb:Theatre_of_the_Absurd
|
|
gptkbp:critical_reception
|
acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:explores
|
gptkb:identity
gptkb:memory
human relationships
truth
existential themes
|
|
gptkbp:first_performance
|
gptkb:1957
|
|
gptkbp:genre
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gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Pinter Plays
|
|
gptkbp:influenced
|
gptkb:Actor
gptkb:playwright
directors
contemporary theatre
|
|
gptkbp:influenced_by
|
gptkb:Samuel_Beckett
gptkb:Eugène_Ionesco
gptkb:absurdism
|
|
gptkbp:inspired
|
numerous adaptations
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_awards
|
gptkb:Olivier_Award
gptkb:Tony_Award
|
|
gptkbp:notable_characters
|
gptkb:Max
gptkb:Ruth
gptkb:Gerrard
gptkb:Ben
gptkb:Teddy
|
|
gptkbp:notable_themes
|
gptkb:betrayal
gptkb:conflict
gptkb:deception
anxiety
the passage of time
authority
class struggle
isolation
violence
fear
surveillance
absurdity
gender roles
memory and trauma
|
|
gptkbp:notable_work
|
gptkb:Harold_Pinter
|
|
gptkbp:performed_at
|
gptkb:Royal_Court_Theatre
|
|
gptkbp:performed_in
|
gptkb:West_End
gptkb:Broadway
|
|
gptkbp:published_by
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gptkb:Faber_and_Faber
gptkb:Grove_Press
|
|
gptkbp:published_in
|
1960s
|
|
gptkbp:style
|
gptkb:absurdism
realism
minimalism
|
|
gptkbp:themes
|
gptkb:communication
silence
power dynamics
|
|
gptkbp:written_by
|
gptkb:Harold_Pinter
|
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gptkbp:bfsParent
|
gptkb:Harold_Pinter
|
|
gptkbp:bfsLayer
|
3
|