The New York Dada Exhibition
GPTKB entity
Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art exhibition
|
| gptkbp:associatedWith |
Dada movement
|
| gptkbp:duration |
several months
|
| gptkbp:exhibits |
Fountain
L.H.O.O.Q. The Bride Stripped Bare by Her Bachelors, Even |
| gptkbp:heldIn |
gptkb:New_York_City
|
| https://www.w3.org/2000/01/rdf-schema#label |
The New York Dada Exhibition
|
| gptkbp:impact |
avant-garde movements
American_art |
| gptkbp:influenced |
Surrealism
|
| gptkbp:influencedBy |
gptkb:European_Dadaism
|
| gptkbp:is_featured_in |
photography
poetry readings performance art collage works |
| gptkbp:is_governed_by |
gptkb:Marcel_Duchamp
|
| gptkbp:legacy |
influenced contemporary art
influenced installation art inspired future generations of artists inspired future exhibitions encouraged interdisciplinary approaches encouraged artistic experimentation fostered community among artists challenged traditional art norms contributed to art discourse promoted cultural dialogue highlighted the role of art in society promoted the idea of art as a social commentary encouraged political art fostered international connections among artists influenced performance art movements inspired artists to question norms led to the rise of conceptual art sparked_interest_in_Dadaism |
| gptkbp:location |
The 69th Regiment Armory
|
| gptkbp:notableArtists |
gptkb:Francis_Picabia
gptkb:Marcel_Duchamp Man Ray |
| gptkbp:promoted |
nonsense
absurdism anti-art sentiment |
| gptkbp:significance |
first major Dada exhibition in the U.S.
|
| gptkbp:visitedBy |
general public
artists art critics |
| gptkbp:year |
1916
|