|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Dustin_Hoffman
|
|
gptkbp:adaptation
|
gptkb:film
The Marathon Man (film)
|
|
gptkbp:antagonist
|
Dr. Christian Szell.
|
|
gptkbp:author
|
gptkb:William_Goldman
|
|
gptkbp:awards
|
gptkb:award
BAFTA Award nomination
Golden Globe nomination
Award A
BAFTA nomination
Award B
Award C
none.
Academy Award nominations.
|
|
gptkbp:based_on
|
gptkb:novel
novel by Author A
The Marathon Man (novel)
|
|
gptkbp:box_office
|
$50 million
$20 million
|
|
gptkbp:budget
|
$10 million
$6 million
|
|
gptkbp:cast
|
Actor A
Actor B
Actor C
|
|
gptkbp:character
|
gptkb:Janeway
gptkb:Mickey
gptkb:Babe_Levy
gptkb:Dr._Christian_Szell
gptkb:Elsa
gptkb:Character_A
gptkb:Character_B
gptkb:Character_C
self-discovery.
|
|
gptkbp:character_arc
|
Babe's growth.
Babe's transformation.
|
|
gptkbp:character_development
|
psychological depth
psychological depth.
Babe's transformation
Janeway's loyalty
Szell's menace
|
|
gptkbp:character_relationships
|
naivety.
complex.
complex dynamics.
internal.
tension.
|
|
gptkbp:character_traits
|
determined.
|
|
gptkbp:cinematography
|
gptkb:Robert_Surtees
gptkb:Conrad_Hall
Cinematographer A
|
|
gptkbp:climax
|
confrontation with the antagonist.
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:composer
|
Composer A
|
|
gptkbp:conflict
|
personal vs. political
man vs. man.
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
gptkb:Mixed
Negative
Positive
positive
generally positive
|
|
gptkbp:cultural_impact
|
gptkb:significant
cult classic
enduring legacy.
influenced thriller genre.
|
|
gptkbp:cultural_references
|
parody in various media
parody in other media
Nazi war crimes.
|
|
gptkbp:directed_by
|
gptkb:John_Schlesinger
|
|
gptkbp:director
|
gptkb:John_Doe
gptkb:John_Schlesinger
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:Paramount_Pictures
Distributor A
|
|
gptkbp:edited_by
|
gptkb:Dede_Allen
gptkb:Hugh_W._Smith
|
|
gptkbp:editor
|
gptkb:Sam_O'_Steen
Editor A
|
|
gptkbp:features
|
gptkb:war
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Michael_Small
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:New_York
Location A
Location B
|
|
gptkbp:filmography
|
gptkb:Dustin_Hoffman
gptkb:William_Goldman
gptkb:Laurence_Olivier
gptkb:Roy_Scheider
|
|
gptkbp:focus
|
identity.
|
|
gptkbp:follows
|
gptkb:Babe_Levy
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:film
|
|
gptkbp:has_backstory
|
Babe's family history.
|
|
gptkbp:has_cameo
|
gptkb:none
|
|
gptkbp:has_gameplay_element
|
the dentist's drill.
|
|
gptkbp:has_sequel
|
gptkb:none
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Marathon Man
|
|
gptkbp:influenced
|
psychological thrillers
thriller genre
film noir genre
subsequent thrillers
|
|
gptkbp:influenced_artists
|
inspired future thrillers.
|
|
gptkbp:influenced_by
|
real-life events
film noir
psychological thrillers
spy films
|
|
gptkbp:influences
|
Cold War espionage
psychological thriller genre
|
|
gptkbp:inspiration
|
real-life events
real-life Nazi hunters
Goldman's experiences.
|
|
gptkbp:inspired_by
|
real-life Nazi hunters
|
|
gptkbp:is_critical_for
|
psychological tension
exploration of morality
depiction of trauma
explores moral ambiguity.
|
|
gptkbp:is_motivated_by
|
seeking truth.
uncovering the truth.
|
|
gptkbp:isbn
|
978-0-345-33973-0
|
|
gptkbp:language
|
English
realistic.
|
|
gptkbp:legacy
|
inspired future films
influential thriller
|
|
gptkbp:main_character
|
gptkb:Babe_Levy
|
|
gptkbp:motif
|
gptkb:military_operation
running.
|
|
gptkbp:music
|
gptkb:Michael_Small
|
|
gptkbp:music_by
|
gptkb:Michael_Small
gptkb:Bacharach
|
|
gptkbp:narrative_style
|
third-person
foreshadowing.
limited.
concise.
moral dilemmas.
intertwined.
|
|
gptkbp:notable_appearance
|
Is it safe?
torture scene
Chase through Central Park
|
|
gptkbp:notable_quote
|
Is it safe?
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
non-linear.
flashbacks.
A graduate student becomes embroiled in a conspiracy involving a Nazi war criminal.
|
|
gptkbp:plot_twist
|
revelation of Szell's identity.
|
|
gptkbp:premiere
|
gptkb:Borough
Film Festival A
|
|
gptkbp:premiered_on
|
gptkb:New_York_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Robert_Evans
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
gptkb:Cinerama_Productions
Production Company A
|
|
gptkbp:published_year
|
gptkb:1974
|
|
gptkbp:publisher
|
gptkb:Harper_&_Row
|
|
gptkbp:rating
|
PG-13
|
|
gptkbp:reader_demographic
|
varied.
engaging.
high.
immersive.
adult.
|
|
gptkbp:release_date
|
gptkb:1976
January 1, 2016
October 8, 1976
|
|
gptkbp:release_format
|
gptkb:music_video
theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:1976
gptkb:2016
|
|
gptkbp:released
|
gptkb:Columbia_Pictures
October 8, 1976
|
|
gptkbp:released_in
|
gptkb:1976
|
|
gptkbp:remake
|
gptkb:none
The Marathon Man (2016)
|
|
gptkbp:resolution
|
Babe's acceptance.
Babe's survival and justice.
|
|
gptkbp:runtime
|
120 minutes
125 minutes
|
|
gptkbp:screenplay_by
|
gptkb:William_Goldman
Screenwriter A
|
|
gptkbp:sequel
|
gptkb:Sequel_A
|
|
gptkbp:set_in
|
gptkb:Borough
|
|
gptkbp:setting
|
gptkb:Borough
1970s.
|
|
gptkbp:significance
|
a classic thriller.
|
|
gptkbp:sound
|
gptkb:Mono
|
|
gptkbp:soundtrack
|
Soundtrack A
released on CD
released on vinyl
|
|
gptkbp:starring
|
gptkb:Dustin_Hoffman
gptkb:Laurence_Olivier
gptkb:Roy_Scheider
|
|
gptkbp:style
|
suspenseful.
|
|
gptkbp:symbolism
|
marathon running
Babe as everyman.
|
|
gptkbp:thematic_element
|
fear.
trust.
explores trust.
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:betrayal
gptkb:survival
Theme A
Theme B
Theme C
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:betrayal
gptkb:survival
gptkb:Trust
justice.
|
|
gptkbp:trivia
|
Trivia A
Trivia B
Trivia C
Trivia D
Trivia E
|
|
gptkbp:user_reviews
|
gptkb:The_New_York_Times
gptkb:Roger_Ebert
Variety review
Roger Ebert review
|
|
gptkbp:written_by
|
gptkb:William_Goldman
|