|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
6
|
|
gptkbp:bfsParent
|
gptkb:Mikhail_Vertov
|
|
gptkbp:art_style
|
Avant-garde
|
|
gptkbp:audience
|
Critical acclaim
Art house viewers
|
|
gptkbp:awards
|
Best Restoration
|
|
gptkbp:box_office
|
International
|
|
gptkbp:cinematography
|
gptkb:Mikhail_Kaufman
Innovative
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
Positive
|
|
gptkbp:cultural_impact
|
gptkb:Significant
|
|
gptkbp:debut_year
|
gptkb:The_Man_with_a_Movie_Camera
|
|
gptkbp:director
|
gptkb:Dziga_Vertov
|
|
gptkbp:distributor
|
gptkb:Kino_Lorber
|
|
gptkbp:editor
|
Vladimir N. Sokolov
|
|
gptkbp:film_festival
|
gptkb:Berlinale
|
|
gptkbp:film_score
|
Orchestral
|
|
gptkbp:filmography
|
gptkb:Dziga_Vertov
gptkb:High
gptkb:Dynamic
gptkb:Film_festivals
Experimental
Experimental techniques
Cinematic techniques
68 minutes
Camera movement
Innovative editing
Cinematic study
|
|
gptkbp:genre
|
gptkb:film
|
|
gptkbp:home_media_release
|
gptkb:2021
|
|
gptkbp:influenced
|
Modern cinema
|
|
gptkbp:influenced_by
|
Constructivism
|
|
gptkbp:inspiration
|
gptkb:Soviet_montage_theory
|
|
gptkbp:is_criticized_for
|
Cinematic review
|
|
gptkbp:language
|
Silent
|
|
gptkbp:legacy
|
Soviet era
Cinematic classic
|
|
gptkbp:music
|
gptkb:Various_Artists
|
|
gptkbp:narrative_style
|
Non-linear
Visual storytelling
|
|
gptkbp:premiere
|
gptkb:2021_Cannes_Film_Festival
|
|
gptkbp:production_company
|
VUFKU
|
|
gptkbp:release_format
|
gptkb:film
|
|
gptkbp:release_year
|
gptkb:2021
|
|
gptkbp:remastered
|
Digital restoration
|
|
gptkbp:restoration
|
gptkb:Cineteca_di_Bologna
|
|
gptkbp:runtime
|
68 minutes
|
|
gptkbp:soundtrack
|
New score by The Cinematic Orchestra
|
|
gptkbp:symbolism
|
Urbanization
|
|
gptkbp:technique
|
Montage
|
|
gptkbp:themes
|
Urban life
Modernity
|
|
gptkbp:viewing_platform
|
Theatrical
|
|
gptkbp:writer
|
gptkb:Dziga_Vertov
|